2023-07-05

Rascal Does Not Dream Of A Knapsack Kid - light novel

         Rascal Does Not Dream Of A Knapsack Kid (青春ブタ野郎はランドセルガールの夢を見ない) is a the ninth volume of the Rascal Does Not Dream light novels written by Kamoshida Hajime featuring artwork by Mizogushi Keeji.  The ninth volume was originally release in 2018 and in English in 2022.

      The following synopsis may spoil some aspects of the first eight novels in the Rascal Does Not Dream series, if you do not want to ruin those stories stop reading until you have.  

Book Eight: Rascal Does Not Dream Of A Sister Venturing Out review here!

      Sakuta has a strange dream about a young girl who looks like Mai when she acted in her first roll.  The girl appears lost on Shichirigahama beach.  He talks to her, trying to understand what is going on but in the end he is more puzzled.  He is almost positive the girl is Mai, but none of that makes sense.  He sees her again, but this time he isn't sleeping, before he can find out anything his Mai arrives, leaving the girl to disappear like the wind when he turns around.  He doesn't have a lot of time to sort anything out as Mai has sprung a surprise meeting with her mother, following her graduation ceremony.  The meeting is tense as the two women are still at odds with each other.  Mai's mother none the less approves of Sakuta.  Back at his home, celebrating with dinner, Mai surprises him with a marriage certificate.  She claims it is a good luck talisman for his studies and when the time is right they will make it official.  In addition, his father calls with news that their mother is finally in a mental state to see Kaede.  Apprehension sets in for both of the siblings, as they will be seeing their mom for the first time since they moved.

    After Kaede's graduation ceremony they take the trip to the apartment their parents live, a place different from their home as a family.  Kaede is overcome with anxiety over how her mom will react but once they enter the living area of the small apartment the apprehension melts away and they being talking like no time had passed.  The visit has gone so well that Kaede ends up staying the night with them, leaving Sakuta to return to their apartment, not wanting to abandon their cat.  The next morning he wakes up to the strangeness that is an almost empty house.  It isn't until he is seated in homeroom that he realizes something is terribly wrong.  He is suddenly suffering from the same 'adolescent syndrome' that Mai had gone through when they first met, almost a year earlier.  Sakuta is suddenly non-existent.  Unfortunately the person he feels that can pull him back into reality, Mai, is out of town working.  He heads back to his parents apartment but his mother and sister do not see him.  In a fury of emotions he flees to the safety of the beach, the beach that he has been saved at more than once.  As if by design, the young version of Mai appears, even though it is late at night.  She leads him to the train and he falls into a restful slumber, the sound of the train comforting him with its lullaby.  He wakes to find himself in his bed, in the house he originally lived with his parents.  They can see him, they know who he is, but this is not his life, things are different and he understands he needs to return to his real life and correct his problem.  

   I will be honest, I wasn't excited to be revisiting the same 'adolescent syndrome' we went through in the first volume.  I was disappointed that we didn't get an new problem to solve, some fantastic new complexity and narrative gymnastics.  Instead we tread some already travel paths.  Beyond that it is nice to have the narration continue to move forward, into the future of the characters.  Too many stories particularly manga, stick with a small window of time.  Even though we have only covered about ten months across all nine volumes, it doesn't seem like there is an end to the story, even if we are seeing some repetition.  There are some threads for future issues that are being laid, taking us into a new sphere of conflict.  There was a moment of panic where I thought Sakuta was going to be reset to a time in the past, not end up in a parallel world, replacing that version of him.  This volume feels similar to Your Name and the final Kimagure Orange Road movie, at least the second half of the story where Sakuta is in full blown 'adloescnet syndrome' mode and I started to enjoy it more.

    In the end this was a good continuation of the franchise, it didn't have the drive and tension that early volumes did, but it did dig deep into Sakuta's psyche.  We see him try to work through his own issues this time, taking the experiences he has gained helping everyone else.  He realizes he has to work through this on his own, but in reality, he can't do everything alone, needing to still lean on those that are important to him.  But there was never any doubt that a positive resolution would be reached.  Instead we are set up for a shift in narration and a time skip.  But this is really the least enjoyable volume so far.  The next volumes could be quite interesting as we see an entirely new phase in the life of our slacker protagonist.

Book Ten: Rascal Does Not Dream OF A Lost Singer review here!

2023-07-04

Rascal Does Not Dream Of A Sister Venturing Out - light novel

        Rascal Does Not Dream Of A Sister Venturing Out (青春ブタ野郎はおでかけシスターの夢を見ない) is a the eighth volume of the Rascal Does Not Dream light novels written by Kamoshida Hajime featuring artwork by Mizogushi Keeji.  The eighth volume was originally release in 2018 and in English in 2022.

      The following synopsis may spoil some aspects of the first seven novels in the Rascal Does Not Dream series, if you do not want to ruin those stories stop reading until you have.  

Book Seven: Rascal Does Not Dream Of His First Love review here!

    With the timeline generally back to its correct sequence and Shouko able to get her donor heart without either Sakuta or Mai dying, things seem to be looking up for our lovers!  Now everyone can concentrate on enjoying their youth.  Except for a few snags, Sakuta needs to seriously improve his testing abilities if he is ever going to be able to join Mai in college.  Kaede has a lot more work to do before she is able to really integrate back into society.  Now that things have calmed down and no one is in danger of anything supernatural, its time to hit the books!  Sakuta's problem has a solution that only requires attention and dedication.  Kaede, however, has some uncertainty in her path.  She has been able to attend school after the New Year, though she spends her time hidden away in the nurses office.  This is a significant improvement over the prior two plus years of being a shut in.  But her life as a middle school student is going to end as soon as it has begun.  Due to it begin compulsory, she is quarantined to graduate.  The question is, what will she do next?

    Kaede is struggling with living up to the expectations left behind from the version of her during her memory loss.  Through that Kaede's diary she understand how hard she worked to get better.  The daily struggles to learn about herself  and to fight against her fears.  The old Kaede feels tied to the other versions' wish to attend the same high school as her brother.  Everyone is willing to go along with her desires, even though the chances of her succeeding are impossible.  Mai, her sister and Sakuta do as much as they can to help her study.  Secretly, Sakuta attends a seminar for an online school with his sisters school counselor.  She feels that this type of options would be a better choice for Kaede, given that she is still greatly struggling with interacting with her peers.  In the end all they can do is support her as  much as possible, in the hope that she can gain more confidence in her self.  Kaede is ultimately the master of her destiny, facing an almost impossible challenge regardless of her choice.

    This was a much needed reprieve from the heavy emotional toll the two prior volumes exacted.  We return to a more mundane tale focusing on the Azusagawa siblings.  This is also the first volume that does not have any detectable episode of 'adolescent syndrome' outside of the lingering remnants of Kaede's problem.  Instead what we get is a critique on the Japanese education system and its rigid structure.  A number of different opinions and critiques are laid out over the course of the story, many of which present frustration in the standard system.  They question the unflinching march of standardization, that will chew up those who aren't able to keep up and spit them into a dire future.  People like Kaede, who has found her self being pushed out of the group and fleeing to the safety of isolation.  Abandoning her education in favor of health.  This has put her in a situation where it is almost impossible for her to catch up to her peers, cutting her off from success in the future.  The story presents a budding alternative education network presenting a possible solution for those students the traditional system carelessly abandons.  The question on everyone's mind though, will this be good enough for Kaede to reach her potential later in life?

    This volume feels like it was shorter than it was.  Aside from a small portion at the end, there was very little reflection on the events at the end of volume seven...as incredibly important as they were.  The characters are more than happy to move ahead and live a life or normalcy.  But the mundane has its own problems, especially with Kaede's persisting mental health issues.  A significant amount of emphasis though was really on the push for alternative education options for the youth of Japan, and I can't say this is a bad thing.   The biggest hurdle faced by the characters and people in reality is the public perception of these options.  Even if the institutions are able to have their students achieve the same requirements as their traditional counterparts, it doesn't mean they are without stigma.  The public school system is designed to educate and enforce societal hegemony in almost equal portions.  If a new school is a virtual work at your pace alternative, how does that provide the same experience the rest of the nation is expecting everyone to have?  This is a major problem that both Kaede and people in real life are going to face in this experiment in education that is beginning to unfold in the country.  On to the next volume where I suspect the supernatural will come roaring back into the narrative. 

 Book Nine: Rascal Does Not Dream Of A Knapsack Kid review here!

2023-07-03

Rascal Does Not Dream Of His First Love - light novel

       Rascal Does Not Dream Of His First Love (青春ブタ野郎はハツコイ少女の夢を見ない) is a the seventh volume of the Rascal Does Not Dream light novels written by Kamoshida Hajime featuring artwork by Mizogushi Keeji.  The seventh volume was originally release in 2016 and in English in 2022.

      The following synopsis may spoil some aspects of the first six novels in the Rascal Does Not Dream series, if you do not want to ruin those stories stop reading until you have. 

Book Six: Rascal Does Not Dream Of A Dreaming Girl review here!

    Following Mai's sacrifice Sakuta finds himself in a void of darkness.  He can't except the reality that he has lost the woman he loves and most like lost the girl who would grow into his first love.  All of his resolve and determination to take the past he thought was the best was instantly erased in Mai's incredible selflessness.  But what was the cost of her actions?  The entire country mourns for the loss of their young star, Sakuta is close to catatonia and the world is starting to blame him for robbing them of their Mai.  Rio and Yuuma hide him away from the prying eyes of the media, but when it come time for Mai's funeral he can not bear to accept reality.  As he sits in a corner, absorbed in his own emotionless state, the Tv comes to live, broadcasting the ceremony, showing an interview from a few days before her death, shaking Sakuta's foundation.  Unable to control his emotions he flees Rio's house, heading to the only place he can think of, the place were he was first saved, the beach were he first met Shouko.  In the midst of his breakdown among the cold sands and lapping waves she comes to him, but this is a different version of her.  This version was able to live because of Mai's sacrifice, living with Mai's heart inside of her chest.  She understands that something has changed, knowing that it was supposed to be Sakuta's heart in her.  She offers him a chance to correct the past...or more accuratly the present.  They are trapped in Sakuta's one 'adolescent syndrome' and seeing a future that might be prevented.  She shows him how she was able to move to the past before and lets him know that he will be fine as long as he is able to find someone who can hear him.

    Sakuta awakes to Christmas Eve, he still has the ability to right the situation and correct his choice, to overcome the incredible despair.  But it will not lead him completely to happiness, he recognizes that his new course will mean Shouko's death and more pressing, he finds himself in the same situation Mai was in when they first met.  No one can see him, he himself is numb to the world, cut off, only an observer.  he knows, from Shouko's words, that he needs someone to recognize him, like he could see Mai.  If he doesn't succeed it will all be for nothing.  Frantically he tries everything he can think of to have someone open the box and observe him, resolve the Schrodinger's Cat thought experiment, prove that he exists and is real.  Will he be able to find someone who can see and hear him?  Afterwards what will he do to protect his future with Mai?  The memories of the future without her has deepened his love for her to a level he never could imagine.  But that new found love is tainted by the understanding that he is sacrificing Shouko's life and her future, her love for him, to prevent the deep and suffocating pain he experienced in the future.  With time running out for himself and the two most important women in his life, he must fight against reality trying to keep him from being.

    My eyes were moist and strained the entire time reading this volume.  I know I had to do it in one sitting but it was hard.  The written word feels overwhelmingly more powerful than the movie.  I can't say if I would have preferred to read the books as they were being released, waiting months to continue the tragedy after the unexpected death of Mai at the end of book six.  Would I have been better off not going from that directly into this one, emotionally wasted as it was.  Would it have been less brutal to me if my serotonin has time to replenish its self?  I feel wasted and worn out, even though I knew full well how the story would go from watching the movie first.  It is hard for something to be that impactful and moving.  Without the investment in the characters from all of the proceeding story it would probably not be as crushing as it was.  One of the few stories that has left me even close to this desolated is the depressing, supposedly autobiographical, story Koi Sora, a crushing tale of a teenage girls first love and the crushing emotional toll of how she lost that love.  This story arc is not dissimilar in some aspects, but something about the words written on the pages and the combination of the original authors story crafting and the translation teams efforts puts this in a class all by its self.  This is probably the most emotionally taxing story I have ever encountered.

    I really enjoy the Rascal Does Not Dream story for many reasons.  Its lovable characters, the enjoyable mysteries and its way of emphasizing common struggles of youth and humanity in general in supernatural ways.  The supernatural aspect is very light to the touch in most cases, light enough that it may not even be really supernatural, but more an observation by the characters that force it into that realm.  This arc though somewhat forces the supernatural aspect by using time travel as the focal point.  But it tries from time to time, to correct that forced idea by saying whats really happening is a dilation of time from different perspectives.  It works to some degree, but this story definitely leans more heavily into the fantastical.  That is in no was a negative point and I wonder if there could have been a way to unravel the story the way it did with a little more subtly.  I say that and sound like I dislike time travel, but in actuality its one of my favorite story types, since its one that is hard to pull of in a meaningful way.  That is not to say this arc was bad or diminished through the time travel aspect, no but something is nagging me that says it could have been even more impactful.  At a few points between book six and seven the time travel concept seemed to slightly cheapen what was going on.  The sheer force of emotion in the story its self erases that feeling rather quickly each time it comes to the surface.  In the end, I can't think of a more impactful narration that I have read than these last two books.  With these done I am to the point where the story is brand new, as nothing animated has been released at the point of this review.  There are movies about to come out that do follow this up, but its all new territory from here.  I enter the realm of reading the story before viewing the story.  And I can not even guess how the series will follow up this incredibly end to the first seven volumes.  All I know is I need it to be fun and carefree, I can't handle that level of depression for now.

Book Eight: Rascal Does Not Dream Of A Sister Venturing Out review here!

2023-07-02

Rascal Does Not Dream Of A Dreaming Girl - light novel

      Rascal Does Not Dream Of A Dreaming Girl (青春ブタ野郎はゆめみる少女の夢を見ない) is a the sixth volume of the Rascal Does Not Dream light novels written by Kamoshida Hajime featuring artwork by Mizogushi Keeji.  The sixth volume was originally release in 2016 and in English in 2021.

      The following synopsis may spoil some aspects of the first five novels in the Rascal Does Not Dream series, if you do not want to ruin those stories stop reading until you have.  

Book Five: Rascal Does Not Dream Of A Sister Home Alone review here!


      Adult Shouko crashing at Sakuta's apartment sure is awkward, especially when Mai, his beautiful and jealous girlfriend makes a surprise visit.  Sakuta struggles with understanding why Mai is so upset with him, when all of his groveling and apologizing does little to temper her steam.  What he fails to understand is Mai is more upset with her self, upset she forced the love of her life to rely on the compassion of another woman in a time of need, the return of his 'adolescent syndrome'.  Before he can make it up to her, he needs to understand the relation between both Shouko's.  Younger Shouko is once more in the hospital due to her declining heart condition.  Sakuta begins to visit her every day, if possible, to try to understand what is going on.  She shows him an old, incomplete piece of homework she has, an assignment asking her the imagine her life into old age.  Shouko has been pragmatic given the openess about her confition and realizes it is unlikely she will live to see high school, let alone be a grandparent.  She could never bring herself to complete it and hand it in, leaving it mostly blank.  But suddenly new items have appeared on the sheet, items that look to have been there the entire time but are new to Shouko.  The items line up with things that the older Shouko has accomplished since staying with Sakuta.

    With Futaba Rio's help, Sakuta begins to understand the circumstances behind the existence of the older Shouko and how that is tied into 'adolscent syndrome'.  Young Shouko's internalized desire to keep living, experiencing a life she realizes she will never have, creates a parallel Shouko which moves faster through time.  Through and unknown cause, older Shouko has come back from the future.  Sakuta approaches her about this idea, after recognizing a sign that Rio told him to look out for.  Understanding that her secret has been revealed she tells Sakuta everything.  But he chooses to keep this from everyone else, fearing the possibility that someone could alter the present enough to prevent younger Shouko from receiving the medical treatment that she needs to be the adult version staying at his house.  Older Shouko tells him that she wants one last thing before he 'adolescent syndrome' is resolved and he can return to his live with Mai, a date with her on Christmas Eve.  Mai then offers to go on a date with him at the same time, placing Sakuta in a very stressful situation.  Before he can stress about which of the loves of his life to be with on this magical couple outing, he learns the truth about how older Shouko survives to adulthood and why she continues to show up in Sakuta's life.  He is suddenly faced with a incredible weight on his shoulders that he see's no way to make everyone happy.


    This emotionally devastating book is part one of the movie of the same name.  Both hit incredibly hard and can be quite stressful.  The tension is incredibly thick and at a few times, even though I knew the story, I found myself on the verge of tears.  This book is the culmination of everything that came before it, the set up and conditioning of the characters and their motivations.  You know these characters rather intimately at this point, have experiences joy and suffering with them over all of these hundreds of pages, between 6 volumes at this point.  We know once Sakuta understands the reality of the situation how he will choose to respond.  He is entirely driven my selflessness and a desire to make take on everyone's pain.  He never wants to be helpless like he felt with his sister almost three years prior.  At his lowest moments older Shouko pulled him out of darkness with her caring and maturity.  She made him the person he is now, one who will do everything in his power to ensure everyone's security and happiness.  But how large of a price is he willing to pay this time?

    Past volumes of the series have had their dramatic moments peppered with light hearted banter and silliness, but this volume is heavily overshadowed by gloom and depression.  It is an emotional roller coaster filled with equal parts frustration and dread.  There are two parallel emotions running through its pages. the first being the frustration we feel for Mai as she tries to understand her place in Sakuta's heart.  The other is the struggle of the younger Shouko and her impending demise.  Sakuta is who he is because of both versions of Shouko and Mai struggles with that level of comparison.  Yet she can't bring herself to hate the little girl going through more stress and pressure than she could ever imagine.  Mai wants to be selfish, knowing what older Shouko's existence requires.  She struggles with those feelings in her self and her understanding of Sakuta's resolve and personality.  But at the same time both Shouko's are trying to help Sakuta to make the correct choice, a choice that may not be the one he wants or can live with.  The air is thick with sadness and frustration as time marches one and no one can stop it.  It may be best to take a break between this volume and the follow up, because you may not have enough emotional energy left to continue.

 Book Seven: Rascal Does Not Dream Of His First Love review here!

2023-07-01

Rascal Does Not Dream Of A Sister Home Alone - light novel

     Rascal Does Not Dream Of A Sister Home Alone (青春ブタ野郎はおるすばん妹の夢を見ない) is a the fifth volume of the Rascal Does Not Dream light novels written by Kamoshida Hajime featuring artwork by Mizogushi Keeji.  The fifth volume was originally release in 2015 and in English in 2021.

      The following synopsis may spoil some aspects of the first four novels in the Rascal Does Not Dream series, if you do not want to ruin those stories stop reading until you have.  

Book Four: Rascal Does Not Dream Of Siscon Idol review here!

      With the possibility that Mai may be stuck in her half-sisters body resolved it was time for Sakuta to move on to a normal high school life.  All the crises' have been averted and everyone's 'adolescence syndrome' have been resolved...with the exception of his sister Kaede and by extension himself.  As a bit of a refresher, two years prior, when both siblings were living with their parents and enjoying a normal life as students, Kaede was the target of vicious abuse at the hands of her peers.  The onslaught of hatred streaming from her classmates caused her to shut her self in, refusing to interact with anything.  The pressure grew to such a level that it triggered 'adolescent syndrome', resulting in physical wounds from words and text.  Sakuta at first didn't believe or recognize what was going on, until he saw the psychological manifestations himself.  Once he understood the cause of the trauma he begged anyone with authority and expertise to believe him.  But they all made excuses, unwilling to believe the impossible.  The weight of his powerless created a void in his heart that in turn manifest into three grisly wounds across his chest, hospitalizing him.  It was at that point, trying to get to a place of safety, that he met Makinohara Shouko, at the point of complete desolation and ennui.  The older girl convinced him that he had the ability to build hope for himself and his sister, that what was important was improving the future not worrying about the past.  In the small amount of time he spent with her, he became enamored with her, falling completely in love.  He convinced his parents to let he and Kaede live on their own, away from their old lives, to help overcome the stresses of her situation.  He enrolled in the same high school Shouko went to, but was never able to reconnect with her.

    Skip to the present, more than 2 years later, and Kaede is struggling with her situation and her lack of improvement.  She decides, with the help of those around her, that she will work hard to return to some level of normalcy for a person her age.  She makes a list of things she wants to accomplish in the last two months of the year.  Even though he is skeptical about her chances of meeting all of her goals, he dutifully does what he can to help her.  Slowly, through the support of those around her and force of will, Kaede begins to see progress with her list.  She is able to travel to the beach near Sakuta's school and have a picnic with Mai and her half-sister.  But as they turn to leave, a figure from Kaede's past makes a sudden appearance.  Kaeda's reaction to her old friend shocks everyone forcing Sakuta to reveal a secret about her condition..  The next day, due to the physical and mental exertion she went through, Kaede falls into a coma-like state.  Sakuta rushes her to the local hospital, unsure of what is going to happen, but fearing that her 'adolescent syndrome' will come back in full force.  The uncertainty of what this means for his sister overwhelms him, leaving him helpless and panicked.  Just as his own 'adolescent syndrome' resurfaces a lost connection returns, to try and guide him once again to a brighter future.  But what will happen to he and his sister as things with their situation suddenly begin to change?  Will he be able to find out the truth behind the Shouko of two years ago?


     This volume covers the final arc of the anime and is a catalyst to the story.  We finally see the extent and truth behind Kaede and by extension Sakuta's past that lead them to the beginning of the series.  A lot of mental baggage is unloaded in this volume, particularly Sakuta's fears and regrets.  Through him we also see more of Kaede's struggle.  Prior to this she was only a side line character, even if her situation was the entire reason for the story over all.  But with the lack of external distractions from the slowly growing cast of characters we see the siblings at their most intimate.  The vast majority of the story focuses exclusively on the Azusagawa's, with Kaede's difficult path to improvement and Sakuta's concern for the evolution of the situation.  The first climax in the middle of the story brings us a twist to the plot that has not been remotely hinted at, putting a nice fresh perspective on the characters and the story over all.  The ending sets us up to resolve one of the truly important story lines in the series, the older Shouko.

    This volume is a stressful and emotional one to work through.  Once we know the deeper truths behind Kaede's situation we are presented with a significantly more complex problem that doesn't exactly have a good resolution.  It puts an new perspective on the responsibilities that Sakuta has taken upon himself, in the fleeting chance that his life might return to the way it once was.  The revelation also puts his parents current role into better perspective, a perspective less filled with disgust.  Up until this point it has been hard to respect the decision to essentially abandon their children, the youngest of which is suffering from severe emotional trauma.  They appear selfish and uncaring.  Yet, we can now better understand their position and ultimate reluctance to change their lives in the hope of progress.  Settle in though, with the next two volumes its only going to be more intense at an emotional level.  We are delving into the story that is covered in the first movie and that is some intense story telling.

Book Six: Rascal Does Not Dream Of A Dreaming Girl review here!

2023-06-29

Rascal Does Not Dream Of Siscon Idol - light novel

    Rascal Does Not Dream Of Siscon Idol (青春ブタ野郎はシスコンアイドルの夢を見ない) is a the fourth volume of the Rascal Does Not Dream light novels written by Kamoshida Hajime featuring artwork by Mizogushi Keeji.  The fourth volume was originally release in 2015 and in English in 2021.

      The following synopsis may spoil some aspects of the first three novels in the Rascal Does Not Dream series, if you do not want to ruin those stories stop reading until you have. 

Book Three: Rascal Does Not Dream Of Logical Witch review here!

 

    Sakuta thought that the biggest obstacle in his love like with celebrity actor Mai was her management team until he meets her sister.  Half-sister to be more exact, up and coming idol Toyohama Nodoka, who is barely younger than her famous sibling.  Mai's father left her mother even before she was born, marrying another woman and quickly having another child with her, Nodoka.  Mai's mother forced her daughter into the spot light as a way of getting back at her ex-husband.  After Mai's meteoric rise to stardom, Nodoka's mother attempted the same thing, seeing this as a challenge of which daughter was best.  Unfortunately, success has been hard for the younger girl to obtain, causing a wide range of emotions regarding Mai and her own mother.  In a moment of desperation Nodoka runs away from home, seeking shelter with her sibling, only to trigger 'adolescent syndrome'.  Nodoka's life has been focused on trying to become her older sister, pushed on by her mother, who only wants to taste the success her husbands ex-wife has tasted.  These feelings of idolization mixed with resentment causes the girls to switch bodies.  And just when Sakuta was hoping to have a normal high school romance with the love of his life.

    Since this is the fourth event Mai had experienced, she is pretty quick to recognize whats going on but isn't hopeful that a solution will be found any time soon.  The consummate professional, she sets up a plan for each girl to assume the role of their bodies as quickly as possible, not wanting to jeopardize either career.  Tensions flare quickly with both sisters professing a hatred for the other, leading them to refuse to interact on any level.  This forces Sakuta to act as intermediary, ensuring Nodoka, in Mai's body maintains her presence in school and to pass along any 'messages' between them.  Mai immediately goes to work learning all of Nodoka's songs and dance routines, while also assuming her roll in normal life as well.  Nodoka quickly realizes her ambitions are greater than she is ready to take on.  On her first job as Mai, shooting a commercial, the overwhelming expectation and pressure, internal and external, causes her to collapse and have the shoot cancelled.  Her mood darkens even more when she realized that Mai is doing a far better job at being her than she does.  Sakuta is desperate to rerturn things to normal but doesn't know what it will take to break the spell of despair and resentment of both girls.  Maybe he will never be able to have Mai all to himself at this rate!

     To be honest, this was an arc in the anime that I didn't enjoy going through and was not looking forward to revisiting in the light novel.  But it was a really enjoyable story in the end.  We get to see a deep dive into Mai's life and personality, even if much of it is from her half-sisters perspective.  Sakuta is quite receptive of both girls parental problems, given his own conflicts.  With each 'adolescent syndrome' incident we see Sakuta putting most of his effort into a solution, but we really get to see how far he is willing to go for Mai in particular.  He doesn't even bother to consult the ever pragmatic Futaba Rio until the end when he gives her a synopsis of the occurrence.  He really threw himself fully into solving this, much like he did in the first book.  His and Mai's emotional connection really does come through in the story.  And as is the case, we add another member to the pool of teenagers struggling with significant emotional anguish who happen to be rescued by our hero.  How much more can this guy do?  Moving into this story and the next we have a less than obvious candidate for the next 'adolescent syndrome' sufferer.

    Stepping back a bit, one thing that I thought about a lot in this volume is the hidden impact translation and localization have on a text.  You trust that the people doing that work are doing a good job in translating the personality of the story as well as they are translating the actual text, but its hard to tell in the end.  I think about that anytime I read books by Murakami Haruki and wish that my reading comprehension in Japanese is better than it is.  Need to really brush up on my kanji.  Anyway, the dialogue and writing in general in this volume felt better than anything that has come before.  If flowed easily and worked well to get you into the headspace of the characters.  It made me realize that some of my praise for the writing is obviously on the translation and localization efforts of Yen Press and the work those people have done, on top of the work that the original author has done.  It truly is an enjoyable story with quality narration.  I was a fan of the story from the first episode of the anime and I am excited to be close to moving into uncharted territory as I make my way through the original source material.  Its nice to recognize the efforts put in by everyone responsible for what I hold in my hands, and I just wanted to express my gratitude for everyone's efforts.  This truly is a well done story, even if the books are super easy to read.  I feel there's too much stigma still regarding manga, comics and light novels as being les than respectable literary creations.  I read a lot of deep thick novels as well, but there is something to be respected about a story that is created as deftly as this one in as minimal a format as possible.  On to volume 5!!

 Book Five: Rascal Does Not Dream Of A Sister At Home review here!

 

Rascal Does Not Dream Of Logical Witch - light novel

   Rascal Does Not Dream Of Logical Witch (青春ブタ野郎はロジカルウィッチの夢を見ない) is a the third volume of the Rascal Does Not Dream light novels written by Kamoshida Hajime featuring artwork by Mizogushi Keeji.  The third volume was originally release in 2015 and in English in 2020.

     The following synopsis may spoil some aspects of the first and second novels in the Rascal Does Not Dream series, if you do not want to ruin those stories stop reading until you have.

 Book Two: Rascal Does Not Dream Of A Petite Devil Kohai review here!

    The sudden appearance a younger version of Sakuta's first love, Makinohara Shoko, causes unease for Mai, who has finally agreed to date Sakuta.  It also brings concern and confusion to Sakuta due to the Shouko he knew should be 19.  The summer break also means less time for Sakuta to spend with Mai, as her revived career is keeping her away from him more and more.  But, an absent love life and a apparent younger doppelgänger of his first love are only the tip of his summer break problems.  Things become incredibly complicated when he learns that his friend, quiet science nerd Futaba Rio is in two places at the same time.  Rio has been a source of understanding and reality for Sakuta as he worked to overcome both Mai and Tomoe's supernatural 'adolescent syndrome' problems.  Always trying to ground him in reality and compare the problems with theories based in science.  But how much can she help him when it appears it's her turn to face 'adolescent syndrome'?  

    Rio struggles with being isolated from her peers and her unrequited love for the third person in their friend group, Kunimi Yuuma.  Sakuta is fully aware of her feelings and he pesters her about it regularly.  There is also good reason to believe that Yuuma is also aware of her feelings.  Rio also suspects that Yuuma knows, but is unwilling to confront it herself.  Yuuma is a generally agreeable and easy going person, well loved and admired.  His girlfriend, spiky, popularity driven Kamisato Saki tries constantly to force Sakuta to stop being friends with him.  Between Yuuma having a girlfriend and Rio being generally socially inept, she begins to silently cry out for attention in a dangerous way.  Soon enough a second version of her comes into being, a version that has more of Rio's ambition and boldness.  Yet, even this version can only sit on the sidelines and observe the object of her affection.  How will Sakuta solve this problem of parallel existence, fearing catastrophe if both versions interact with each other.  Will Rio's loneliness and social isolation lead her to more dangerous behavior that could put both versions in jeopardy?  And to top all of that off, Mai's management is pressuring her to be significantly more discreet with her sudden relationship with Sakuta.  Will he ever have the high school romance he so desires with this young celebrity?

    At the end of the second book we are introduced to the mysterious girl sharing the same name as the older girl Sakuta fell in love with while in the hospital, Makinohara Shouko.  You would be excused if you thought this plot line would deal with her and some form of 'adolescent syndrome' but surprise, it's really a story about Futaba Rio!  We do get quite a bit of time with the child Shouko, including some particularly important details at the back half of the story.  But the time we get to spend with Rio is what makes this book special.  Prior to her being the victim of 'adolescent syndrome' she has always been the voice of skepticism for Sakuta.  She is a creature of logic and understanding that refuses to casually accept fantastical explanations for unknown events.  Instead she always presents a physics theorem as a parallel to what Sakuta is trying to correct.  But all we know about her is that she is one of his only friends, is quiet, detached from the student body and secretly in love with Yuuma.  As a central character we begin to see her personality more as well as learning more about her history and home life.

    This is a more emotional story than they other two, between Rio's primary plot about unrequited love and self hatred and glimpses into the young Shouko, the emotions start to pile up.  Unfortunately we also see a further slide in the love life of Mai and Sakuta.  They did finally, officially become a couple, but her new manager is concerned about Mai being open about it.  Fearing it could cause an irreversible backlash to her efforts at rebuilding her career.  Its frustrating to see yet another backslide in that narrative, but lets be honest, that is the core story.  Everything else is just well crafted drama to expand out times with the characters.  I enjoyed this story more than the second book, less for the mystery which did take a back seat again, but for the expansion of the characters in general.  Yet again we see an introduction of a new person in Sakuta's life, what could that mean for the next book?  Which ever way it goes, how much will it impact Sakuta's love life?

 Book Four:  Rascal Does Not Dream Of Siscon Idol review here!

2023-06-28

Rascal Does Not Dream Of Petite Devil Kohai - light novel

  Rascal Does Not Dream Of Devil Kohai (青春ブタ野郎はプチデビル後輩の夢を見ない) is a the second volume of the Rascal Does Not Dream light novels written by Kamoshida Hajime featuring artwork by Mizogushi Keeji.  The second volume was originally release in 2014 and in English in 2020.

    The following synopsis may spoil some aspects of the first novel in the Rascal Does Not Dream series, if you do not want to ruin that story stop reading until you have.

 Book One: Rascal Does Not Dream Of Bunny Girl Senpai review here!

 

    The time spent with Mai trying to help her overcome her 'adolescent syndrome' that was causing her to disappear from existence, Sakuta has been able to become close to the desirable celebrity senpai.  As promised she agrees to begin dating him.  Floating on the air, Sakuta knows his future is bright and full of love.  He wakes up the following morning to find himself repeating the same day, the day he has lunch with Mai and she accepts his love and attention.  Knowing what to expect, he effortlessly coasts through the day and success in love, only to wake up the next day to repeat it yet again.   He searches out his friend, Rio, who helped him approach Mai's problem from a logical standpoint, to see if she could offer more assistance with his time loop problem.  She suggested that someone else is aware of the looping and is controlling it, a physical manifestation of the Laplace's Demon theory, the theory of an all knowing observer.  He finds the demon in the form of a first year student named Koga Tomoe, a girl who caused him some grief in his efforts to save Mai.

    Koga is struggling to maintain her position in her classes popular girl cliche.  The leader of the group is demanding and attentive, requiring its members to constantly be in contact via Line.  A third year baseball hottie has confessed to Koga, causing her undue strain, as the leader of her cliche is interested in him herself.  Reading the air of her group, she understands the danger her membership would be in if the leader knew the boy she liked was interested in Koga instead.  Once Koga explains the situation to Sakuta the loop appears to be broken, but not before the change in interactions that day leads Mai to misunderstand their encounter, refusing to have lunch with Sakuta, therefore denying him the chance to have her confirm their status as a couple.  Sakuta is able to calm Mai down after partially explaining the delicate situation about the kohai.  Unfortunately, Koga's suggestion to solve it all together would require Sakuta to pretend to be her boyfriend.  Now Sakuta has to convince not only Koga's friend group but the entire school that they are dating, even though he very publicly confessed his love for Mai.  Can he pull it off convincingly enough to make the baseball star back off, preserving Koga's roll in her classroom?  Will he ever be able to have a real relationship with Mai?  Will Mai even have the patience to wait for a fool on his errand?

    The ending of the first book sets the story up to run fluidly into the second book.  While I am not a fan of the movie Groundhogs Day in general, the way this story handled time looping was done quite well.  The looping its self is not a major presence in the story, more an ominous threat constantly in the background, as Sakuta is always aware that it could happen again.  Instead the stories real focus is on Koga's strain to fit in with her new group.  She moved from a different part of the country, completely remaking herself, in an effort at a life she desires.  The helplessness she feels when all of that effort is on the verge of destruction at things out of her control brings her dilemma to the front.  Outside of the idea that Sakuta is the central figure in the stories, Koga picks him out of those around her as the guidepost of her revisions due to the honest and open nature of his personality.

    The supernatural aspects of this book were even more subdued than the original story.  The majority of the story is a developing relationship between Koga and Sakuta and a reset on progress between Sakuta and Mai.  The driving force to get to the end of this book is to really see if he can make up for all of the back peddling in his Mai courtship.  Koga's character is fleshed out quite a bit, given she went from a small part in the first book, to being one of the main focal points in this book.  Again, the joy of this series is the finely crafted story telling and interaction between the characters.  It really have two parts; the supernatural mystery and more importantly the humanity between these realistic characters.  Living their lives, that also happen to have some unexplainable weirdness continually jeopardized their mundane existences. 

 Book Three: Rascal Does Not Dream Of Logical Witch review here!

2023-06-27

Rascal Does Not Dream Of Bunny Girl Senpai - light novel

 Rascal Does Not Dream Of Bunny Girl Senpai (青春ブタ野郎はバニーガール先輩の夢を見ない) is a the first volume of the Rascal Does Not Dream light novels written by Kamoshida Hajime featuring artwork by Mizogushi Keeji.  The first volume was originally release in 2014 and in English in 2020.

    Azusagawa Sakuta noticed an unusual sight one day at the local library, a beautiful girl wearing a bunny girl outfit.  What was more amazing was that he appeared to be the only one who was able to see her.  The girl, Sakurajima Mai, was an upperclassman and certified celebrity.  Mai had been a popular actor since a young age, appearing in movies, commercials and TV shows.  In middle school Mai had announced she would be stepping back from work for a while to focus on school.  In reality Mai was becoming disillusioned with the industry and her mother/manager in particular.  A particular photo shoot was the turning point in her willingness to blindly go along with any job her mother lined up for her.  Mai announced the hiatus as a way of attacking her mother for the situation.  Instead she focused on being a teenage in her final years of education.  Unfortunately, due in part to Mai not returning full time to school until later her first year and her celebrity status, she found herself isolated and ignored by the student body.  That isolation was beginning to manifest in her not being seen by people outside of school as well, to the point where she could dress in a very revealing outfit in public and not receive any reaction.  It also lead to more problematic situations like not being able to buy groceries or be served at a restaurant.  Saukta could see her.  

  Sakuta is a second year student, Mai being his senior in her final year of high school.  He too is isolated, having only two friends; logical and stoic science girl Futaba Rio and easy going all around good guy Kinimi Yuuma.  A rumor of an incident from middle school about Sakuta putting a few classmates in the hospital circulated quickly in high school and labeled him an outcast.  Sakuta took the isolation in stride and accepted his fate, knowing he would be done with school eventually.  In reality the incident is much more spectacular.  His younger sister, Kaede, was bullied by her classmates, to the point where abusive posts online mysteriously lead to physical bruising and lacerations.  In what Sakuta refers to as 'adolescent syndrome' his sisters mental anguish and adolescent stresses manifested into physical abuse.  Sakuta was the only one who even recognized what was going on, even if he didn't fully understand it.  That in turn lead to the attack manifesting on him as well, leading to him being hospitalized.  While in the hospital he was encouraged by an older girl named Makinohara Shouko, who encouraged him to continue to support and trust his ailing sister.  Skip ahead two years and the siblings are living alone, as their mother suffered severe emotional trauma from the incident and their father is spending all of his free time caring for her.  Mai lets Sakuta get close to him, if for nothing more than proof that at least one person still knows she exists.  She begins to cling onto him as an anchor to reality.  He, facing a personal relationship with a popular celebrity, takes full advantage of the situation and strives to court her.  As she opens up to him, he also shares his past struggles and believes Mai's disappearing problem is 'adolescent syndrome'.  But he doesn't know where to begin to help her overcome it, having not been able to help his sister, who is a shut in that has reverted to the personality of a girl many years younger than she is.  Will they be able to make the world remember Mai before she disappears from everyone's memory?


     The first volume of the light novel, just as the anime, does a really good job in prepping the audience to the world of Rascal Does Not Dream.  Establishing right away Sakuta's quick wit and general ease with the world around him.  I also puts the mundane exposition of the series' supernatural elements.  At its core the series deals with trauma's of adolescence, manifested in supernatural ways.  The supernatural aspect is again very benign and subtle.  Mai is uncontrollably being removed from people perception, but its not like shes vanishing and people suddenly don't see her.  Once she is out of someones perception she no longer exists in their view of the world.  This is a terrifying prospect.  As the problem intensifies her existence begins to be erased from record as well.  The story focuses on two things; establishing the personalities of the main and secondary characters while moving through the central plot.  In the first book there are only 3 central and 4 secondary characters.  Their personalities are immediately dialed in, letting you know their positions and opinions of the others they interact with.  As the story unfolds, so too does a series of underlying narratives.

    In general the writing is good, Sakuta at times is way to quick witted, breaking a bit of the realism.  Everyone has there identifiable personalities, even if some are common slice of life/anime tropes in general.  In the end though, the important narrative over all if the interactions between Sakuta and Mai, interactions that are well done and enjoyable.  The approach to the supernatural aspects are done in a very subtle way, that make the reader think it could be possible.  Subtle outside of the physical damage bot Kaede and Sakuta suffered.  But it would be incredibly easy to translate the story into live action without the need for special or even many practical effects.  The twists and turns aren't that ridiculous and in the end its a story about compassion and connection with those around you.  Everyone wants to be part of a group and when that seems impossible the world can appear to be against you at every turn.

 Book Two: Rascal Does Not Dream Of Petite Devil Kohai review here!

A Quick Look at the Summer 2023 Anime Season

 The impending Summer season for 2023 has me a bit excited as I get back into the swing of things with semi regular reviews.  Here is my short list of titles premiering in July that I want to watch.

 

Atelier Ryza: Ever Darkness & the Secret Hideout

    Lets be honest, I am really just here for the thighs.  The relatively successful Atelier Ryza video game series gets its first anime and i know nothing about it other than Ryza's appearance and clothing.  Not really a fan of 'fantasy' anime, we will see how long those thicc thighs can keep my attention or if the show becomes pointless to me.


Horimiya: The Missing Pieces

    This is not a continuation but a companion to the original Horimiya anime.  While its sad we won't see more of their future together, it will be great to spend more time with these characters.  Hopefully in the future we will see a follow up to the end of the original series.


Yumemiru Danshi wa Genjitsushugisha

   A middle of the road looking high school romance about a guy who starts to believe he has bit off more than he can chew in the girl hes wants to date.  Not entirely optimistic about this, the artwork and character deigns looks pretty terrible.  Interesting take on the genre, but will it really be able to pull it off in a satisfying manner and overcome the terrible animation?


The Girl I Like Forgot Her Glasses

   Again another mundane selection in the slice of life romance genre.  It feels like Aharen-san wa hakarenai but with glasses instead of a quiet voice as the characters personality.

Rurouni Kenshin

    I am a little torn on this one.  I enjoyed the first half of the original anime and the OAV's and movies were quite enjoyable.  But this is one of those things where you struggle to separate the artist from the art.  Original author, Wasuki Nobuhiro has pretty much admitted to being a pedophile and has faced some serious criminal charges around it.

Hyakusho Kizoku

    A slice of life look at manga author Arakawa Hiromu's life growing up on a farm in rural Japan.  This looks fun and cute and worth the time!  If you're unfamiliar, she is the person who created Full Metal Alchemist.


The Masterful Cat Is Depressed Again

    Who can argue with a silly slice of life story about a lonely woman who adopts a cat that grows to the point of being able to be productive member of the household instead of just an aloof pet?


Zom 100: Bucket List of Dead

    So your job and life sucks, being an adult is worse than you realized.  But hey!  When the zombie apocalypse shows up one day, how could it be any worse?!  This shows looks incredibly dumb and amusing and I can't wait!!

 Tonikawa: High School Days

    Even though season two just wrapped up we have more Tonikawa, this time going back to the time when Nasa was still in high school, a section of his life that got completely passed over in the main story.  


Not a big list by any means, but its been a while since I have been on top of a new season when it comes to reviews.  It also doesn't help that many of them are continuations of existing franchises.  Theres been a lack of new titles for a while know that have truly inspired me on the front end.  Either way, I welcome more stories to pass the time!


2023-06-26

A Retrospective on Romance Anime & Manga - Part 3

After a long time, the third installment of the romance retrospective is here! Many of the titles are newer entries to this incredibly diverse field, but in the end they're all about characters wanting to grow closer to someone else, sometimes that closeness is from a less than stable point of view.  Here is a link to the first retrospective and a link to the second retrospective.
 
 
    Koume struggles to fit in at school.  When she confesses her feelings to an upper class man, he takes advantage of her desperation for his own sexual pleasure.   After the incident her conflicting emotions leads her to exploit a loner transfer student in a similar manner.  The boy takes advantage of the situation and the two descend into increasingly extreme sexual interactions, chasing maturity and their own emotional turmoil

    This is a limited manga of Inio Asano that details an abusive and exploitative relationship between two teenagers in an incredibly graphic fashion.  So much so that it was earmarked in efforts by the Japanese government to address nudity of underage characters in manga and anime.  Detailed sexuality notwithstanding, this is an amazingly realistic dive into psychological turmoil of adolescence.  There is an amount of romance in it, but its really about dealing with emotional maturity and relationships.
 

 
    Akira feels lost after quitting the track club after she suffered an injury.  Instead she focuses on her studies and her job at a local family restaurant.   She has developed an overwhelming crush on her manager, the middle age divorcee Kondo.  She confesses to the older man, who isn't sure how to react, both of them have issues beyond their own relationship that they need to overcome and it just may be the fleeting desires of a young girl.

    This is a really comforting and low key slice of life drama that doesn't go out of its way to creature a fictional setting.  Both of the main characters are realistic in the depiction and motivations.  Don't go into this one expecting an idealized ending.  Just enjoy the slow burning progress, like a lazy rainy day.



    High schooler, Nishimura, spends much of his free time playing a popular MMO.  Being a jaded member of the internet he suspects that his clan members who play female characters are really guys.  When they agree to meet in real life he is shocked to find out they are in fact all girls.  One of them, who has fallen for Nishimura's online character, in unable to distinguish the game from reality and transfers her intense affection to him in person.  The other clan members work to convince her of the differences between the game and reality, in hopes of saving Nishimura from apparently unwanted attention.

    This is a pretty subpar harem-lite series that has way more 'plot' than actual substance.  The characters are one dimensional and their motivations are pretty flimsy.  The overall story telling is little more than self service for readers who obsess about 2d girls, eschewing 3d ones.  Pass in all manner as this was not worth the time.

 

    Unsure if she can ever feel love for someone else, first year student Yuu attracts the attention of an upperclassman named Touko.  Unsure if she has any feelings for the older girl, Yuu is drawn into her presence and struggles with how to handle the increasingly aggressive advances.  At the same time Touko is trying to be the idealized version of a person that isn't, because she fears her own existence isn't worth anything on its own.

    This is a series that was created through suggestions to the manga author and the editorial staff, so it as born out of ambitions spawned from a financial perspective.  It hits a number of the standards present in many yuri, some of them troubling standards.  Touko's relationship with Yuu is nothing short of aggressive and over bearing.  It borders on the actions of a groomer and doesn't feel like it is help in a way that express the dangers involved.  It also presents newer less standard representations in the yuri genre, but just skirting the edges of tradition.  In the end the stories blase attitude to the darkness overshadows any progress it tried to bring to this genre.


 
     Yuzu is forced to enroll in an elite all-girls school after her mother remarries.  She doesn't fit in with her prim and proper peers, drawing the ire of the student council president, Mai.  Her situation becomes complicated when Mai, who is also her new step-sister, moves in with her.  Perhaps the strain of everything new causes her to break under stress, but Yuzu begins to develop strong feelings for Mai.  Mai doesn't exactly reject Yuzu's advances but both of them are aware of the problems such a relationship would pose for everyone in their new family.  What is it that Mai really feels and has Yuzu really tapped into her true self?

    Step-sister love comes and goes, mostly is ways that are less than artistic.  Citrus though struggles under the lack of realism in its characters behavior and motivations.  They only thing that separates this from a standard shonen sis-con series is that the protagonist is female.  Other than that her character flaws are much the same as male protagonists in similar plot lines.  At the end of the story nothing really makes it worth spending much time on and it offers nothing new to this rather exploitative story archetype.
 
 
 
     Based on a dating sim game of the same name, Clannad is broken into two distinct sections.  The first part is a par for the course high school harem anime.  The protagonist, Okazaki, has a beavy of archetypal girls from his school to choose from.  They all experience their best anime high school lives together until he finally chooses one.  After Story extends the plot line to show Okazaki and his selected girl as they begin to date and age together.  As it winds to its close the story shifts into a pretty dramatic story line, a storyline that is actually really well done.  But was the pathway the 'player' took the right one and will they get the best ending?

    At this point Clannad has been deeply enshrined in the halls of otaku greatness.  The majority of the story is boring and passive.  In the last arc, the writing shifts into overdrive and the feelings are through the roof.  It was incredibly satisfying, until the final episode does an about face and disrespects the realism that had been building.  Over all though, with the great final arc, its probably not worth dredging through everything that came before and the disrespectful and weak completion.

 
 
    Suekichi is a down and out college student who winds up having a one night stand after his grandfathers funeral.  When he learns he is set to inherit a lot of money from his grandfather, the mysterious woman injects herself into his life.   The requirements to get the money are to finish college, find employment and get married.  The woman, Aya, presents herself as the ideal candidate for the last stipulation.  The few people around Suekichi, who know of the stipulations, strongly dissuade him from being with Aya, fearing her intentions are less than honorable.  Yet something about her draws him closer, more than just the frequent sex, something about her vulnerability leads him to trust her among all of the warnings.  But, in the end will he even be able to meet any of the requirements, let along determine if Aya is truly in love with him.

    This would be one of the earliest slice of live romance manga I ever read, from when Viz had it in their Pulp magazine in the mid-90's.  Something, above and beyond the sex scenes, drew me to this story.  The mystery was intriguing and the characterization was well fleshed out.  This has always been one of my favorites and its a shame it's never gotten an anime treatment.  While it may be a little hard to find these days, it was released in English by Viz years ago.



     Natsuo ends up having a one night stand with a girl his age named Rui.  Rui has no interest in knowing him and did it just to 'gain experience'.  Natsuo however has strong feelings for his youthful teacher Hina, but understands shes well beyond his reach.  That all changes when his father remarries and his step-moms daughters move it.  Surprise!  Its Rui and Hina.  One thing leads to another and over the course of time Natsuo ends up secretly being involved with both sisters at different times, causing all sorts of problems between them, while working incredibly hard to hide their 'sin' from everyone else.  Through out its span the series covers many years and a lot fo back and forth between the love triangle, until Natsuo finally makes the decision of which of his step sisters he chooses to spend his life with.

    The anime only covers a relatively small section of the story, really the majority of the timeline Natsuo and Rui are in high school.  The manga spins the story for years and years later and for the most part its a decent shonen romance, even though the crutch is the gimmick of hiding everyones incest-lite actions.  But...as with some romances where the MC has to choose one girl...this one let me down with who Natsuo gave the final rose too.  Over all the series wasn't bad, but it did struggle with some pointless back and forth.  It is a far cry from the almost perfect shonen romance by the same author, GE: Good Ending.


 
     Akizuki tends to feel like a lost soul among the mass of humanity that is Tokyo.  He frequently skips school on rainy days to zone out in a park.  One day while doing this he meets a beautiful office worker named Yukino.  She too feels an overwhelming sense of loneliness and finds her self shirking adult responsibilities in the same way.  The kindred souls are drawn to each others shared isolation and desire to peace among the chaos, yet their age difference will not let them become any closer, so they try to make the best of their quite shared times watching the rain in the desolate garden.

    This is one of Makoto Shinkai's lesser known works but is no less impressive than his other efforts.  Perhaps one of the most visually striking movies, the story slowly drifts from its beginning to its ambiguous ending.  Loneliness and the desire to connection with others is what drives this deeply realistic drama.  I can't think of anyone else who captures the overwhelming oppression of isolation like Shinkai and he does with with such grace and beauty.

 
 
    Yoshida, in a drunken haze, allows an endangered high school runaway named Sayu stay at his small apartment.  When she reveals that she has been sleeping with different men just to have a roof over her head for months he can't ignore her plight.  While he knows he can't solve her problems he at least wants to give her some safety until she is able to establish a plan to better her situation.  Sayu is unable to understand the generosity and struggles with his reactions to her and the home life that drove her to such desperation.
 
    With a bait and switch name like Higehiro, one would be excused in expecting a lecherous rom-com, instead the series is a raw tale of abuse, loss and abandonment.  Well worth the time for those looking for mature and more grounded stories of human connection.


 

    Honey and Clover is an ensemble slice of live romance that follows a small group of college students as they grow into adulthood.  The main cast is a mostly assortment of art students who live in or associate with a run down apartment building.  The course of the story follows some of the characters college lives from start to finish and their growing personal attachment to others with in the group, some yearning to have lasting emotional relationships.  Everyone is new to the world of adulthood so the desires and intentions don't always come through.       

    Honey and Clover is a a great example of a benign and mature romance/slice of life story.  The characters are all well developed and the revolving story doesn't get bogged down with unnecessary plot lines.  Much like life there is no real conclusion to anything and everyone either comes closer or further apart of the course of the story.  This will remain a solid example of excellent story telling, even if it could have been a bit longer.
 
 
 
     Life becomes incredibly complicated for dead end hikkikomori Komori when he finds himself inside of the body of a high school girl he has been stalking.  Unsure of what is going on, he needs to come to terms with being in a female body, pretending to be someone hes only observed from a distance while looking for a solution for the problem.  How can he resolve his own issues while addressing his new bodies problems.

    This was an interesting take on the body switch story by the author of Flowers of Evil.  Given the narrative concepts of that title, I was anticipating some heavy material and was not let down.  The author themselves expressed the primary motivation behind the story as their own exploration with what it would be like to suddenly have a gender switch.  While not the best body switching story out there it does handle it with an air of gravity and realism.


 
     The return of a fellow student in the final semester of high school adds unforeseen complications to some of the students last efforts at romance before adult hood.  After being away for 4 years Eita resumes his friendship with Haruto, whom he was on the baseball team with in middle school.  Haruto has his heart set on a girl from the band club but a girl who also went to middle school with them has feelings for Haruto.  When Eita returns her feelings begin to waver and she wonders if it was him that she was fond of all along.  Things simmer under the surface as everyone sets unrealistic goals for themselves before they can confess their feelings, further complicated by apprehension and indecisiveness, a real mess.

    This low key dramatic slice of life romance is a divergence from the authors better known work, Rascal Does Not Dream of Bunny Girl Sempai instead the story is low energy and introspective.  Eita, the primary character is quite reserved and severe in his seriousness.  The series offers a more natural approach to the crowded high school romance genre, devoid of many of the tropes and repetition.  The biggest thing linking it to its peers is the characters severe apprehension driving the drama of the story.  It might be a shorter affair if people could just muster up the courage for honest communication.  Either way, a well written story that has some decent if somewhat flawed animation.



    Mitsuha, the eldest daughter of a small shrine family in a remote village find her self from time to time in the body of a teenage boy who lives in Tokyo. She soon discovers that she is switching places with the boy and they both establish ground rules to protect themselves both physically and socially.  They both take the unique opportunity to experience lives they wouldn't normally be able to experience.  Mitsuha, disliking her rural live, takes full advantage of the glamour life her partner lives in Tokyo.  As they grow closer in their shared experiences they begin to realize they are further apart than ever.

    This is essentially Makoto Shinkai's magnum opus, a film for a time help the best box office record of any anime film.  The artwork is top notch and the characterization is well established.  While this story delves into his typical reliance on isolation and lost connections, this one pushes further and begins to open up to chance and success in life.  This movie does seem to show the beginning of a shift in his story telling from purely realistic and depressing portrayals to more feelings of hope and success, sprinkled with the super natural.  A modern classic, a film that will stand the test of time.

 
    Kae is an overweight loner who obsess over boys love manga.  In a miraculous transformation she sheds off all of her excess weight in a short amount of time, surprising everyone in her school.  The new her draws the attention of all of the most desirable guys in school.  Even though her outward appearance has changed her inner self has not.  Suddenly all of the boys she fantasized about doing dirty things with each other are fighting each other for her hand.  What is a girl to do with all of the attention...that may or may not be wanted?

    The joke is rather shallow and the message of outward appearances being everything is startlingly dangerous.  But the series does have its enjoyable moments.  In the end though it can;t overcome its dangerous message of vanity and self sacrifice for popularity.  The romance, like everything else, is only surface level to deliver a few jokes that never pan out to anything memorable.

 
 
    After getting cheated on by her boyfriend, college student Akane decides to make the best of it and dive head first into the MMO he convinced her to play with him.   Her desire to make him regret his choice leads her to meeting her MMO guildmates in real life.  She begins to develop feelings for one of the guilds creators, stoic and disembodied high school-er/semi pro gamer Yamada.  

    This series adds a few new twists to the standard slice of life romance, combining adult characters with high school characters as well as wrapping in gamer culture.  It gets somewhat bogged down with a few tired tropes and struggles to stand out with well developed characters and plot lines.  Instead we deal with a main cast of mostly one dimensional archetypes, especially Yamada himself.  Akane is really the only one with multiple aspects but its not enough to make this one special.  Good for a time waster but can be easily forgotten.

 
 
    Hitoshi is a pathetic otaku outcast who suddenly gains the power to experience his future life.  Through these time slips he discovers he is married with his grades most desired woman, Wagatsuma.  His friends chide his revelation to him, forcing him to join in on their secret campaigns to punish the popular kids in school.  As he tries to pilot his ideal future he begins to altar it to less than desirable outcomes.  Will he be able to ever have the future happiness he was destined to, or will he and his friends meddling ruin everything?
 
    This was a terrible manga that suffered from inconsistency and distraction.  To the point where its author abruptly retired from being a manga-ka to pursue a different career path.  When the story focused on the primary plot of Hitoshi working to achieve the future he desires, it was pulled to other less important plot lines that did nothing to advance the main point of the manga.  The series did officially conclude but it was done so quickly and haphazardly that it wasn't even worth the time.  This was a waste but at least it was allowed to die before it completely suffered.  Hard pass.


Night is Short, Walk on Girl!
 
     An upperclassman in college takes a junior out for a night on the town, with plans to confess his feelings for her, the raven haired girl.  The girl on the other hand has other plans and is largely oblivious to the older mans intentions.  Instead she charges head long into a night of drinking and revelry.  As the evening progresses and the raven haired girl continues to slip away from the senior strange occurrences begins to manifest.  The girl ravenously consumes alcohol with reckless abandon while cheerfully interacting with the strangers she encounters along the way.  As the night marches on the senior struggles to present himself in a manner that will give him confidence to express his feelings, its as if the world its self is fighting against him, closing all of his paths before him.  The girl, blissfully enjoying her time marches forward facing all challenges.

    This is an incredibly surreal and amusing story based on a novel of the same name by Morimo Tomihiko, author of Tatami Galaxy.  The movie is directed by Yuasa Masaaki, same as who helmed the anime adaptation of the other series.  Both stories take place in a shared universe in which the supernatural apply generous influence on the world.  The story is winding and complex with surreal art to match, well worth the time for something different and enriching.  Go watch Tatami Galaxy as well!



    The friendship of two high school boys is put to the test when an alluring girl transfers to high school.  The girl grows closer to one of the boys but the relationship seems to be one of convenience and exploitation.  Too much strain ends up causing all three to become distant with no possibility of reconciliation.  The strain of jealousy and dishonesty being to great to heal wounds even after many years.

    Ocean Waves is an interesting movie from Studio Ghibli that falls under a lot of peoples radar.  It was a chance to allow the younger staff in the studio to make their own film, as an experiment in freedom.  It was designed for TV broadcast and restricted in its budget so it does not meet the expectations by other films from the studio.  It is a pretty straightforward story about betrayal and loss that can be worth its time.  But it is quite different than many anime romances, dramatic or otherwise.

 

     Tsukimi moves to Tokyo after high school to work as an illustrator but her meek personality does little to help her adjust.  Her life and the lives of her otaku room mates turn upside down when she crosses paths with a cross dressing rich kid.  The guy, Kuranoske, who has grown up in wealth and splendor, takes an intense and overpowering interest in the demure Tsukimi.  He begins to inject himself as much as possible into her life, causing her stress and unease.  Kuranosuke see's Tsukimi as his muse and wants to uplift her to a life of success, which he can be a part of.

    This is a fantastically cute and enjoyable story about misfits of various styles.  Unfortunately the anime doesn't do justice to the manga, ending way to soon into the story.  That said, the manga its self ends in a rather in-conclusive way, but satisfyingly expands the readers time with these lovable characters.  This is a well done ugly duckling type story that handles the characters personalities with care.  In the end Tsukimi remains true to herself.



    Sakuta tends to attract people to him with a mysterious affliction called 'adolescent syndrome'.  The syndrome is a supernatural manifestation of the stresses of adolescence, from peer pressure, social rejection and self-esteem issues.  Sakuta, who overcame his own ordeal years earlier is driven to help others in similar situations, just as he had been helped overcome his.

    This is one of the best anime made in quite a while and shares many similarities to the Haruhi series.  Its strengths lie in the depth and realism in the characters through out. Without a doubt, a highly recommended title.

 
 
    If you were given a chance to relive a portion of your younger life while retaining all of your current experiences would you?  This is just the situation presented to social failure Kaizaki is presented by a strange pharmaceutical company.  If he succeeds in pretending to be a high school student for a year he will be restored to his adult self and given the chance at a career.   The test is partially being done as a way to help Kaizaki understand his importance and use in life, instead of wasting away as a loner with dead end jobs.  What he wasn't prepared for was his feelings for a classmate, who reminds him of past issues he had to deal with.  Neither he or the girl realize that they are both test subjects for ReLife, so their life afterwards may actually be able to happen.

    The concept of reliving the past with your current knowledge is always an alluring prospect.  ReLife twists it a little with some fantastical science instead of magic while also keeping the subject in the same time.  Beyond the baseline premise, ReLife is a well done slice of life story in which a small band of characters, both real and adult student, that addresses many modern problems.  The mystery layer between Kaizaki struggling to hide whats going on and he growing feelings for his classmate are handled quite well.  Overall, great story that had a respectable anime adaptation.

 
     Hanabi is in love with her homeroom teacher, who is also an older childhood friend.  Mugi is in love with the music teacher, who was also his tutor in middle school.  They both know their love is unrequited.  Instead they choose to use each other as replacements for their loves, pretending the other is them.  But they don't want to fall in love with each other, as that would be lying to themselves.  When others challenge the hidden and toxic relationship they begin to have doubts about the future they really want, hoping that if they finally confront the assumed rejection they can move forward.
 
    This is a mature and somewhat dire story about people who are unwilling to be true to themselves but desperate for contact and comfort, even if its a lie.  This story delves headlong into the more explicit mindset of adolescence and the readiness to embrace maturity before they are ready to.  This is also a rare 'romance' story that truly has an antagonist, a malicious player that pushes the characters to greater misery and depredation, all in the search for their place in life.

 

    Mitsumi moves in with her aunt to attend high school in Tokyo.  She is driven by ambition for power and greatness, wasting nothing in that pursuit.  She was able to gain access to a prestigious high school, with an eye on entering Tokyo U.  Even though shes an outsider with a rural accent she quickly gains a small group of friends from her class, one of them being a hottie named Sousuke.  Mitsumi has to overcome her own insecurities and naivety among the sophisticated city kids but her honesty brings out their best.  Her friendship with Mitsumi grows stronger but she is uncertain if it can move to something more serious.  At the same time, even though he is warm and welcoming there is a darkness in his past that keeps him closed off from anyone.

    This is a really fun and calming series that hits the standard high school romance strides but doesn't get bogged down with forced drama.  It feels like a good representation of a new, younger generation of romance authors with subjects it presents and plot lines if negotiates.  At the same time it still seems to be chained down with expectations of past generations benchmarks.  Do all high school romances really need to have beach and cultural festival episodes?  Is this a sign that we might be starting to see a move to new narrations in this genre?

 
    Meiko struggles with being satisfying with her life after graduating college.  She lives with her boyfriend and has a steady job in an office, but she feels mediocrity of existence is not what life has in store for her.  She abruptly quits her job and convinces her boyfriend and his college friends to do something with their music hobby and try to life a life of expression and freedom.  Will they be able to achieve the impossible or are they just distracting themselves, struggling to grasp onto their long gone childish ambitions? 

    Solanin is the most accessible story by Asano Inion, being driven by stark realism instead of amplified darkness and depredation.  As with everything he has done, the artwork and characterizations are unique in the wide world of manga.  There is nothing but reality here.  The story revolves around these young adults and their lingering reluctance to move on to a life of stress and irrelevance.  They fight against the reality that most people are not lucky enough to achieve their dreams and wishes.


    You find yourself a failure of a man as your college years near their end.  Your well laid plans failed at every turn...if only you could try again, what would you try differently to gain your desires?  Well, its very easy to keep trying those years again and again until you get it right when your best friend and worst enemy is a god of mischief.  How hard can it be to craft the perfect outward personality to finally gain the love of the idealized raven haired girl?  Pretty hard when you don't even retain the lessons learned from each failed attempt...oh and the constant distractions from your god/friend/foe.

    This art house style romantic comedy come reality warping psychedelic trip is a fantastic departure from the norms of anime romance and anime in general.  The uniqueness come from a combination of the source material novel and the vision of the director and animation team.  The entire package is an amusing farcical mind bender that is well worth the time for anyone feeling a little adventurous in their viewing pleasure.


 
 This Art Club Has A Problem
 
    Mizuki has a few problems in her young life.  Her favorite place in school, the fine art club, is in danger of dissolving.  The boy she likes, a fellow club member, only has eyes for his perfect 2d creations.  Will Mizuki be able to conquer both her love and the loss of the thing she enjoys the most in school?  Only time will tell, but pretty much everything is stacked against her being successful.
 
    This is an interesting if unfortunately average at best take on that standard school age romantic comedy.  Its a blend of that format and classic yonkoma gyagu manga.  Absurdity abound, heavy handed otaku comedy and just plain slice of life oddity. It struggles to make either of its directions really push into quality territory, failing to do much of interest.  It could of had potential but it floundered around too much to really achieve any advancement.
 
 

    Nasa Yuzaki is driven by the sole goal of being more famous than his name sake, but all of the ambition and drive is derailed when he is saved from death by a beautiful and mysterious girl.   In a moment of emotion he tells her he will marry her.  Much to his shock she returns to his life 3 years later to seal the deal.  Now, as if out of nowhere, Nasa is married to the woman he threw away all his ambition for.  But who is she and how well is his newlywed life going to be?
 
    Tonikawa is a cute and innocent slice of life comedy about unlikely love and the drastic willingness to abandon all reason for emotion.   The story has no real direction that it takes, just showing the young couple as they figure out how to life with each other.  At times its innocence can be sickening but it is a fantastically fun series that doesn't need to do anything other than meander as it does.


 
    Azumi Kotaro wants to be a novelist, idolizing Dazai Osamu.  In the third year of middle school he falls in love with Mizuno Akira, a talented member of the track team who gets along with everyone.  The pairs shyness makes interacting in person difficult but find a more relaxing environment in the Live app.  After a school trip they decide to try being a couple, working to overcome their insecurities while they also look towards their future in high school and beyond.
 
    This is a very low key, dreamy slice of live romance.  The characters are portrayed in realistic ways, with insecurities and personalities that change with the people they interact with.   Its an idealized and clean story about young love and growing into adulthood from early adolescents.  The artwork takes on a watercolor palette and the music is suited for a quiet cafe or lounge.  This is really a tender and innocent love story that wants to wrap you up in a warm blanket and put you to sleep.

For your continued enjoyement, here is the next, fourth retrospective.