Showing posts with label yuri. Show all posts
Showing posts with label yuri. Show all posts

2025-09-16

A Ninja and an Assassin Under One Roof

 A Ninja and an Assassin Under One Roof (忍者と殺し屋のふたりぐらし) is a 12 episode comedy series based on the manga of the same name by HundredBurger.  The series originally aired during the Spring of 2025.

 

    Satoko is a failure of a ninja.  When she becomes entangled in a plot by her superior to run away from the authority of their ninja village, she finds herself starving, alone and being hunted in a city shes not familiar with.  Her fate changes when a ninja sent to kill her is killed by a serious girl who she quickly learns is an assassin.  The professional killer, Konoha, decides not to kill the helpless ninja when she learns her only ability is instantly converting inanimate matter into leaves.  She see's this as a sure fire way for her to improve her ranking in the assassin world.  She is a highly skilled killer but gets bad reviews from her customers based on the messiness of the aftermath.  If this ninja can be convinced to clean up all of her messes the bad reviews should go away.  With that, Satoko, who knows nothing of the world outside of her closed off village, moves into the small apartment of a cold blooded paid killer.

     The ninja village continues to send their own assassins after Satoko and her superior, Kuro.  Satoko is less than useless when it comes to combat let alone survival and Konoha has to intervene during each attack.  Kuro, who has thrown away her ninja ways, is trying to live a normal wife with a woman she started dating and living with.  Unfortunately she has become addicted to pachinko and is more of a freeloader than Satoko is.  Kuro, feeling responsible, does try to help her underling become more self sufficient but in the end remaining in contact with her only brings more trouble.  In their time together a strange relationship blossoms between the lost ninja and the calculating assassin.  Neither of them are certain if its love or not.  Konoha's cold, dismissive and largely abusive attitude towards her freeloader acts as a road block to any break through. 

    This is a really weird and hectic comedy..that turns into a yuri pretty quickly.  But its a mundane almost not yuri yuri.  If I recall correctly...there are essentially no male characters in the entire run of the anime, everyone is female.   Most of them, if there is any notion of anything romantic, is gay.  A strong point of the story is how nonchalant the fight scenes are handled.  This isn't a battle anime and theres very little of anything shown.  Usually Konoha one shot kills and the next thing we know theres a pile of leaves in existence.  So if your looking for people sparing for episodes on end, shouting out special moves...this will be sorely disappointing.  If your looking for a quirky comedy that runs the line of a yuri romance, this might just trip your trigger.

     A strong point with the anime is the artwork and the sequencing of events.  The characters are bold, simply drawn but very expressive.  A lot of the comedy comes from their reactions and the timing of scene jumps.  But...there's a lot of innocent fan service making one wonder, who exactly is the audience for this show?  Its for otaku, otaku who love cute girls doing weird things.  I suspect its a cross over between those who drool over girls with guns stories and iyashikei featuring girls doing normal fun things.  In the end I enjoyed the comedy and the main characters were a lot of fun.  The personality and design traits of some of the side characters were not to my liking and in the end...the story really doesn't do anything.  But, who said something has to happen to be enjoyable.  I wouldn't mind a second season but I don't think I can be bothered to read the manga. 

The series is available on Crunchyroll. 

2025-04-02

Even Though We're Adults

Even Though We're Adults (おとなになっても) is a slice of life yuri romance manga by Shimura Takako.  The manga was published between 2019 and 2023 and has been compiled into 10 tankoubon.

    Elementary school teacher, Okubo Ayano, enjoys a rare night out at a small restaurant she visits from time to time.  The night slips away and she finds herself in the apartment of a woman who sat next to her at the bar.  Overwhelmed by emotions and unexplainable feelings, Ayano is drawn to her in ways she never felt possible.  Unwilling to dive too far too quickly, the other woman, Hirayama Akari, probes Ayano's feelings, searching for signs of trouble if she goes further.  Akari has not had a good track record when it comes to finding lasting love.  She tries to protect herself as well as she can by applying a series of litmus tests to a potential partner.  Ayano confesses she has never really felt this way about a woman before, not a deal breaker for Akari, who hopes that this new and exciting woman is just a late bloomer.  The pair exchange contact information and part ways before they decide to go any further, not wanting to ruin anything that may grow between them.

    Akari doesn't have long to wait to see Ayano again, nor does she have long to wait to see if the relationship will work.  The following week Ayano returns to the restaurant for dinner, accompanied with a man.  Ayano discreetly tells the stunned woman that the man is her husband, Wataru, crushing her freshly awakened dreams of happiness and companionship.  Afterwards, Ayano begins to open up to Akari about her situation, struggling with how to proceed, drawn strongly to Akari.  Ayano has never knowingly become emotionally drawn to another woman but hasn't exactly lead a traditional wife role.  She met her husband when she was 30 through an arrangement and the two decided to get married because it didn't seem like a bad idea.  After five years together, Ayano doesn't know if there is any real love for her husband and if she is staying with him out of convenience.  A better alternative to her current situation has not presented its self until Akari appeared before her.  Now she struggles with how to proceed, recognizing that there is little in the way of love between her and Wataru.

     Akari has been involved in situations like this before and has little desire to do so again, but something about the timid school teacher stirs deep emotions in her.  She had left her previous job as a stylist due to a woman she was madly in love with leaving her for a man she ended up marrying and having a child with.  She has been in situations where someone is cheating on their spouse with her as well and has always received the short end of the stick.  She just wants to find someone she can be with long term and not have to play childish emotional games.  Ayano struggles with her feelings and quickly reveals to her husband what happened, causing panic.  She feels trapped suddenly, in part due to her mother-in-law pressuring them to get serious about having children.  The revelation leads to Wataru and Akari meeting in a tense situation and his mother finding out about the infidelity.  His mother brushes it off, as it was little more than an innocent kiss between two women, ignoring any possibility of the intense emotional waves emanating from both parties.  She also forces the couple to move into the family home, using Wataru's father hospitalization as a catalyst.  

    The possibility of the two women finding comfort in each others arms seems to be evaporating as quickly as it began.  Ayano, through being open and honest with her husband, has been backed into a situation that seems like forced domestication.  She has expressed her desire for a divorce but Wataru is refusing to agree to it.  Life within her in-laws house finds her always under the watchful eye of her mother-in-law.  She has resigned herself to her fate, but the feelings for Akari persist and grow.  Akari struggles with distancing herself from the problem that is Ayano's domestic situation.  To limit continued contact with anyone related to her, she leaves her job at the restaurant, returning to the hair salon she previously worked at.  The change leads her to move as well but this puts her closer in contact with Ayano and the Okubo family than she ever would have anticipated.  The two women, drawn to each other stronger with the passage of time, struggle to navigate the complicated and delicate situation that they both find themselves in.  No one wants to move forward while leaving a wake of misery and hatred in their path.

    I have been a massive fan of Shimura Takako's work since I read her beautiful manga Wandering Son.  When I learned of this newer series of hers and that it was about an adult relationship I was more than happy to dive into it and dive I did!  This manga and Skip & Loafer kicked off my significant increase in manga purchasing in 2023, seeing me hitting book stores every week to pick up new volumes...if not the following day.  I digress though.  I have consumed a lot of romance in the past twenty years, but largely in anime form and have a massive void when it comes to manga, as there is so much more that exists.  On top of that, there are few romance stories I have gone over that deal with adults, as most accessible titles and anime are stories revolving around high school aged children.  When it comes to a yuri romance based around adults...well that comes down to one, this one.  Even Though We're Adults is my introduction to the world of adult yuri and I don't know if it is a benchmark of the genre, an outlier or a boring and repetitive one.  Take this severe lack of exposure into consideration in regards to my thoughts and critiques of this manga as a whole.  I am coming at it from the ground floor.

    Its inevitable that you come across reviews or opinions on a story that can influence your feelings on it.  I did that after reading the first volume out of curiosity and its made me wonder about the reality of the critiques when compared to the rest of the genre that I am not yet as deeply familiar with.  The main critique is that this is a story that focuses on a toxic hetero normative complication in what should be a blossoming lesbian partnership.  Akari herself, through out the story, continues to remind herself that shes not the bad guy in the situation.  She didn't seek out a married woman to seduce over to her side.  Yet she has to face off with a growing list of passive agitators while she tries to navigate her own emotions.  She is a victim of circumstance and falsehoods, lies she was not responsible for but was party to against her own desires.  Or that was the way it was in the beginning.  As time goes on, and Ayano continues to appear in her life and reaffirm mutual feelings, Akari resist the urge to expose her continued distraction to her family.   Ayano is incredibly passive, more than willing to play along with the demands placed on her by the husband she no longer wants to be with and his mother.  Her inability to make drastic changes in her life causing nothing but strife for herself and Akari.


    The story focuses largely on the struggles of its characters as they move through the evolving situations they find themselves in.  They are all adults and try to make themselves understood as much as they can.  There is no room for agonized internal dialogue, forever fretting over fictional scenarios of doubt and regret.  There is a lot of doubt and regret though, but its less about inability to communicate and more about hesitation due to expectations based on experiences in the past.  Akari has had a terrible romantic live, always getting the short end of the stick in every relationship, unable to find someone she can keep for her self.  These past pains drive much of her hesitation regarding Ayano, even after Ayano has left her husband.  She struggles to quell her emotions for the other woman and finds herself lost every time they run into each other.  As the story progresses more people in their orbit become enmeshed in the central drama, struggling with their own issues that exist on the periphery, unintentionally instigated by a chance encounter at a bar one evening.  This is a fantastic story that has me wanting more.  I have long respected Shimura sensei's work.  Another fantastic series by her is the equally complicated adult romance Koi Iji.  Both are well worth the time...if only either of them would get an anime adaptation.

The manga was released in English by Seven Sea's, with the final volume being published in February of 2025.  A live action adaptation is slatted to premier in April of 2025 on Hulu.

2024-12-29

Whisper Me A Love Song

 Whisper Me A Love Song (ささやくように恋を唄う) is a 12 episode yuri romance based on the manga of the same name by Takeshima Eku.  The series originally aired during the Spring of 2024, with the final two episodes not airing until the end of 2024.

    Kino Himari becomes obsessed with the performance and lead singer of a band made of third year students who perform during the school event welcoming the incoming new students.  Himari can think of nothing else and when she runs into the upper classman later in the day doesn't hold back when telling her how much the performance moved her.  The girl, Asanagi Yori, misinterprets the younger girls words and thinks it was a confession of love for her, not understanding Himari was having difficulty properly expressing her feelings.  Kino is flattered by the forthright attitude of the younger girl and begins to entertain the idea of actually dating her. Himari learns that Yori usually sneaks onto the roof of the school after class ends to play her guitar and sing.  Wanting to experience more of her playing she intrudes on this sacred space.  Yori reluctantly lets her join in, hoping it will allow her to respond positively to the girls confession.

    As they spend more time together Yori quickly learns that she misunderstood what Himari had fallen so helplessly in love with.  Crushed by the misunderstanding, she still holds out hope for building a relationship with her.  Himari admits that she has never really thought about what it means to be in that type of relationship with anyone and feels bad that Yori misunderstood her.  She's glad that she can still spend time with her though and as they grow closer she begins to recognize that a deeper fondness for the older girl is growing with in her.  But not everything is rosy in Yori's life.  She decided to join the school band permanently, replacing the original singer.  One of the bands other members and Yori's childhood friend tries to tamp down her feelings for her new band mate, recognizing they will never be returned.    To complicated things further, the girl who left the band formed a new one and is set on proving to her old band mates that she is superior in every way to them.

    The show started off rather enjoyable but as it progressed into a narrative that didn't follow Hima I started to loose interest.  It also doesn't help that the last two episodes were delayed until the end of the year.  Not that it was bad but I just didn't care enough about the direction the story took.  Though...it did kind of run out of ideas with the original idea of the growing relationship between Hima and Yori.  I am being a bit harsh though.  The story presented an idea that sparked Hima's obsession and then it went on to flesh out that idea beyond being a plot device.  Yori was asked to perform with the bad at the last minute due to its original guitarist quiting.  The second half of the story really digs into why she quit and how Yori and in some ways Hima were a catalyst for it and later developments.

    The series wasn't too bad, it had some fun moments and developed its characters relationships better than a lot of other stories.  It told a complete story that involved more than just the main pairing.  It presented tension and friendship in realistic ways.  I think I just became bored with the story after a while and was only continuing it to see it though to the end...then the production delays set in.  But don't let me faded interest influence anything, it's not a bad story.  Though, the characters design is a bit...much I think.  Or at least some of them are a bit daring sim game like.

The series was simulcast on HiDive.  

2023-08-26

Adachi and Shimamura

 Adachi and Shimamura (安達としまむら) is a 12 episode slice of life romance based on the light novel series of the same name by Iruma Hitoma.  The anime originally aired over the Fall of 2020.


     Adachi Sakura doesn't really like being in school or dealing with her mother.  She skips a lot of classes and has taken to hiding away in the loft of the gym.  A classmate, Shimamura Hougetsu, starts to follow course and the two develop a friendship in delinquency.   Adachi becomes increasingly dependent on Shimamura, wanting to spend as much time with her as possible, recognized her growing attraction for her classmate.  Shimamura grows to enjoy the time spent with Adachi and wonders what her new friend truly feels and thinks.  Adachi is cool and reserved, unwilling or unable to open her self up to others, even Shimamura, the girl she is falling in love with.  Shimamura on the other hand does not actively seek attention or companionship from others, instead floating through life, taking her encounters as they come, instead of seeking them out.

    The more time they spend together, the stronger their feelings grow.  Adachi becomes completely obsessed with the other girl, struggling to be with her at times or to interact with her in meaningful ways without getting flustered.  Shimamuro, misreading the situation, dwells on feelings of affection for Adachi but doesn't pursue any form of romantic relationship with her, instead brushing her budding feelings aside and moving through life one day at a time.  Adachi becomes confused at the way her love interest responds to her thinly veiled attraction and reactions.  At times Shimamura doesn't seem interested in anything other than friendship but other times she does things that would typically be signs of romantic interests.  In many ways Shimamura's general indifference to her life adds greater strain to Adachi's unresolved feelings as Shimamura unconsciously pulls away as time moves on.  Adachi must face her trepidation and force herself to express her feelings for the only person that matters to her, but can she find the courage to express herself in a way that won't be misconstrued?


     On the surface this is a mellow story of emotional growth and romantic strain between two lost high school girls.  They spend their time together without a care for the world around them while also internalizing any emotions that may seem out of place.  Adachi understands quite well her feelings and desires but struggles with expressing them, the more they grow the harder it becomes for her to be with her love interest.  Shimamura is unsure of what she really feels deep down or if she even needs companionship in the first place.  While the surface and over all story is enjoyable and alarmingly sweet there is a glaring problem with the anime, a problem that may not be the fault of the light novels.  The anime feels like it exists solely to satisfy adult male voyeurism.  It was subtle at first, odd camera angles that continued to be focal points and an attentiveness to the characters bodies that seemed...less than needed.  You have to step back and remember this is a story about 15 year old girls, who are only beginning the journey to maturity and adulthood.  Are the gratuitous cuts focusing on the gap between sock and skirt as necessary as they appear to be?  Does so much attention need to be focused on Nagafuji's breasts?  As the series goes on Adachi feels less like a realistic Japanese high school girl and more like a rote shonen romance male protagonist, further blurring the point of the story from being one aimed at a sympathetic audience to that of an entirely different group.

    By the end of the series I was struggling to look past the blatant voyeurism and rampant subtle fan service that was threatening to overtake the unfolding relationship.  I need to read the light novels to see how much of this was on the part of the animation team and director...perhaps after I have finished the Haruhi novels.  But it bothered me and made me question what it is I seek as a middle aged man who tends to gravitate to romance stories centered on high school kids, straight or otherwise.  Part of it is due to a significant portion of those stories set in a school setting, so beggars can't be picky I guess, but at what point does it become a perversion instead of an enjoyment of a story?  The sexualization of minors in anime and manga has existed for a very long time and this series is incredibly tame by many standards, even when compared to your run of the mill shonen romance stories.  Looking at you Ichigo 100%.  Yet at what point does it become a problem that distracts from good characters and the ability to tell an enjoyable story?  Though the story its self had some serious flaws in it.  Anything outside of ten or so characters, most of which exist on the sidelines, is utterly ignored to the point of not even existing in the world around them.  The environment is almost devoid of any life that is not directly related to Adachi and Shimamura.  This is a closed world of loneliness, both outside and in.  In addition there is the introduction of an eccentric younger girl that almost serves no purpose to anything related to the story, just a strange distraction that is more embarrassing than entertaining.  The light novels appear to carry the story past the anime story so it will be interesting to see what further developments unfold in there isolated world...isolated unnaturally and perhaps with out any real intention?


     The anime is currently available in sub and dub format on Crunchyroll.

2023-06-26

A Retrospective on Romance Anime & Manga - Part 3

After a long time, the third installment of the romance retrospective is here! Many of the titles are newer entries to this incredibly diverse field, but in the end they're all about characters wanting to grow closer to someone else, sometimes that closeness is from a less than stable point of view.  Here is a link to the first retrospective and a link to the second retrospective.
 
 
    Koume struggles to fit in at school.  When she confesses her feelings to an upper class man, he takes advantage of her desperation for his own sexual pleasure.   After the incident her conflicting emotions leads her to exploit a loner transfer student in a similar manner.  The boy takes advantage of the situation and the two descend into increasingly extreme sexual interactions, chasing maturity and their own emotional turmoil

    This is a limited manga of Inio Asano that details an abusive and exploitative relationship between two teenagers in an incredibly graphic fashion.  So much so that it was earmarked in efforts by the Japanese government to address nudity of underage characters in manga and anime.  Detailed sexuality notwithstanding, this is an amazingly realistic dive into psychological turmoil of adolescence.  There is an amount of romance in it, but its really about dealing with emotional maturity and relationships.
 

 
    Akira feels lost after quitting the track club after she suffered an injury.  Instead she focuses on her studies and her job at a local family restaurant.   She has developed an overwhelming crush on her manager, the middle age divorcee Kondo.  She confesses to the older man, who isn't sure how to react, both of them have issues beyond their own relationship that they need to overcome and it just may be the fleeting desires of a young girl.

    This is a really comforting and low key slice of life drama that doesn't go out of its way to creature a fictional setting.  Both of the main characters are realistic in the depiction and motivations.  Don't go into this one expecting an idealized ending.  Just enjoy the slow burning progress, like a lazy rainy day.



    High schooler, Nishimura, spends much of his free time playing a popular MMO.  Being a jaded member of the internet he suspects that his clan members who play female characters are really guys.  When they agree to meet in real life he is shocked to find out they are in fact all girls.  One of them, who has fallen for Nishimura's online character, in unable to distinguish the game from reality and transfers her intense affection to him in person.  The other clan members work to convince her of the differences between the game and reality, in hopes of saving Nishimura from apparently unwanted attention.

    This is a pretty subpar harem-lite series that has way more 'plot' than actual substance.  The characters are one dimensional and their motivations are pretty flimsy.  The overall story telling is little more than self service for readers who obsess about 2d girls, eschewing 3d ones.  Pass in all manner as this was not worth the time.

 

    Unsure if she can ever feel love for someone else, first year student Yuu attracts the attention of an upperclassman named Touko.  Unsure if she has any feelings for the older girl, Yuu is drawn into her presence and struggles with how to handle the increasingly aggressive advances.  At the same time Touko is trying to be the idealized version of a person that isn't, because she fears her own existence isn't worth anything on its own.

    This is a series that was created through suggestions to the manga author and the editorial staff, so it as born out of ambitions spawned from a financial perspective.  It hits a number of the standards present in many yuri, some of them troubling standards.  Touko's relationship with Yuu is nothing short of aggressive and over bearing.  It borders on the actions of a groomer and doesn't feel like it is help in a way that express the dangers involved.  It also presents newer less standard representations in the yuri genre, but just skirting the edges of tradition.  In the end the stories blase attitude to the darkness overshadows any progress it tried to bring to this genre.


 
     Yuzu is forced to enroll in an elite all-girls school after her mother remarries.  She doesn't fit in with her prim and proper peers, drawing the ire of the student council president, Mai.  Her situation becomes complicated when Mai, who is also her new step-sister, moves in with her.  Perhaps the strain of everything new causes her to break under stress, but Yuzu begins to develop strong feelings for Mai.  Mai doesn't exactly reject Yuzu's advances but both of them are aware of the problems such a relationship would pose for everyone in their new family.  What is it that Mai really feels and has Yuzu really tapped into her true self?

    Step-sister love comes and goes, mostly is ways that are less than artistic.  Citrus though struggles under the lack of realism in its characters behavior and motivations.  They only thing that separates this from a standard shonen sis-con series is that the protagonist is female.  Other than that her character flaws are much the same as male protagonists in similar plot lines.  At the end of the story nothing really makes it worth spending much time on and it offers nothing new to this rather exploitative story archetype.
 
 
 
     Based on a dating sim game of the same name, Clannad is broken into two distinct sections.  The first part is a par for the course high school harem anime.  The protagonist, Okazaki, has a beavy of archetypal girls from his school to choose from.  They all experience their best anime high school lives together until he finally chooses one.  After Story extends the plot line to show Okazaki and his selected girl as they begin to date and age together.  As it winds to its close the story shifts into a pretty dramatic story line, a storyline that is actually really well done.  But was the pathway the 'player' took the right one and will they get the best ending?

    At this point Clannad has been deeply enshrined in the halls of otaku greatness.  The majority of the story is boring and passive.  In the last arc, the writing shifts into overdrive and the feelings are through the roof.  It was incredibly satisfying, until the final episode does an about face and disrespects the realism that had been building.  Over all though, with the great final arc, its probably not worth dredging through everything that came before and the disrespectful and weak completion.

 
 
    Suekichi is a down and out college student who winds up having a one night stand after his grandfathers funeral.  When he learns he is set to inherit a lot of money from his grandfather, the mysterious woman injects herself into his life.   The requirements to get the money are to finish college, find employment and get married.  The woman, Aya, presents herself as the ideal candidate for the last stipulation.  The few people around Suekichi, who know of the stipulations, strongly dissuade him from being with Aya, fearing her intentions are less than honorable.  Yet something about her draws him closer, more than just the frequent sex, something about her vulnerability leads him to trust her among all of the warnings.  But, in the end will he even be able to meet any of the requirements, let along determine if Aya is truly in love with him.

    This would be one of the earliest slice of live romance manga I ever read, from when Viz had it in their Pulp magazine in the mid-90's.  Something, above and beyond the sex scenes, drew me to this story.  The mystery was intriguing and the characterization was well fleshed out.  This has always been one of my favorites and its a shame it's never gotten an anime treatment.  While it may be a little hard to find these days, it was released in English by Viz years ago.



     Natsuo ends up having a one night stand with a girl his age named Rui.  Rui has no interest in knowing him and did it just to 'gain experience'.  Natsuo however has strong feelings for his youthful teacher Hina, but understands shes well beyond his reach.  That all changes when his father remarries and his step-moms daughters move it.  Surprise!  Its Rui and Hina.  One thing leads to another and over the course of time Natsuo ends up secretly being involved with both sisters at different times, causing all sorts of problems between them, while working incredibly hard to hide their 'sin' from everyone else.  Through out its span the series covers many years and a lot fo back and forth between the love triangle, until Natsuo finally makes the decision of which of his step sisters he chooses to spend his life with.

    The anime only covers a relatively small section of the story, really the majority of the timeline Natsuo and Rui are in high school.  The manga spins the story for years and years later and for the most part its a decent shonen romance, even though the crutch is the gimmick of hiding everyones incest-lite actions.  But...as with some romances where the MC has to choose one girl...this one let me down with who Natsuo gave the final rose too.  Over all the series wasn't bad, but it did struggle with some pointless back and forth.  It is a far cry from the almost perfect shonen romance by the same author, GE: Good Ending.


 
     Akizuki tends to feel like a lost soul among the mass of humanity that is Tokyo.  He frequently skips school on rainy days to zone out in a park.  One day while doing this he meets a beautiful office worker named Yukino.  She too feels an overwhelming sense of loneliness and finds her self shirking adult responsibilities in the same way.  The kindred souls are drawn to each others shared isolation and desire to peace among the chaos, yet their age difference will not let them become any closer, so they try to make the best of their quite shared times watching the rain in the desolate garden.

    This is one of Makoto Shinkai's lesser known works but is no less impressive than his other efforts.  Perhaps one of the most visually striking movies, the story slowly drifts from its beginning to its ambiguous ending.  Loneliness and the desire to connection with others is what drives this deeply realistic drama.  I can't think of anyone else who captures the overwhelming oppression of isolation like Shinkai and he does with with such grace and beauty.

 
 
    Yoshida, in a drunken haze, allows an endangered high school runaway named Sayu stay at his small apartment.  When she reveals that she has been sleeping with different men just to have a roof over her head for months he can't ignore her plight.  While he knows he can't solve her problems he at least wants to give her some safety until she is able to establish a plan to better her situation.  Sayu is unable to understand the generosity and struggles with his reactions to her and the home life that drove her to such desperation.
 
    With a bait and switch name like Higehiro, one would be excused in expecting a lecherous rom-com, instead the series is a raw tale of abuse, loss and abandonment.  Well worth the time for those looking for mature and more grounded stories of human connection.


 

    Honey and Clover is an ensemble slice of live romance that follows a small group of college students as they grow into adulthood.  The main cast is a mostly assortment of art students who live in or associate with a run down apartment building.  The course of the story follows some of the characters college lives from start to finish and their growing personal attachment to others with in the group, some yearning to have lasting emotional relationships.  Everyone is new to the world of adulthood so the desires and intentions don't always come through.       

    Honey and Clover is a a great example of a benign and mature romance/slice of life story.  The characters are all well developed and the revolving story doesn't get bogged down with unnecessary plot lines.  Much like life there is no real conclusion to anything and everyone either comes closer or further apart of the course of the story.  This will remain a solid example of excellent story telling, even if it could have been a bit longer.
 
 
 
     Life becomes incredibly complicated for dead end hikkikomori Komori when he finds himself inside of the body of a high school girl he has been stalking.  Unsure of what is going on, he needs to come to terms with being in a female body, pretending to be someone hes only observed from a distance while looking for a solution for the problem.  How can he resolve his own issues while addressing his new bodies problems.

    This was an interesting take on the body switch story by the author of Flowers of Evil.  Given the narrative concepts of that title, I was anticipating some heavy material and was not let down.  The author themselves expressed the primary motivation behind the story as their own exploration with what it would be like to suddenly have a gender switch.  While not the best body switching story out there it does handle it with an air of gravity and realism.


 
     The return of a fellow student in the final semester of high school adds unforeseen complications to some of the students last efforts at romance before adult hood.  After being away for 4 years Eita resumes his friendship with Haruto, whom he was on the baseball team with in middle school.  Haruto has his heart set on a girl from the band club but a girl who also went to middle school with them has feelings for Haruto.  When Eita returns her feelings begin to waver and she wonders if it was him that she was fond of all along.  Things simmer under the surface as everyone sets unrealistic goals for themselves before they can confess their feelings, further complicated by apprehension and indecisiveness, a real mess.

    This low key dramatic slice of life romance is a divergence from the authors better known work, Rascal Does Not Dream of Bunny Girl Sempai instead the story is low energy and introspective.  Eita, the primary character is quite reserved and severe in his seriousness.  The series offers a more natural approach to the crowded high school romance genre, devoid of many of the tropes and repetition.  The biggest thing linking it to its peers is the characters severe apprehension driving the drama of the story.  It might be a shorter affair if people could just muster up the courage for honest communication.  Either way, a well written story that has some decent if somewhat flawed animation.



    Mitsuha, the eldest daughter of a small shrine family in a remote village find her self from time to time in the body of a teenage boy who lives in Tokyo. She soon discovers that she is switching places with the boy and they both establish ground rules to protect themselves both physically and socially.  They both take the unique opportunity to experience lives they wouldn't normally be able to experience.  Mitsuha, disliking her rural live, takes full advantage of the glamour life her partner lives in Tokyo.  As they grow closer in their shared experiences they begin to realize they are further apart than ever.

    This is essentially Makoto Shinkai's magnum opus, a film for a time help the best box office record of any anime film.  The artwork is top notch and the characterization is well established.  While this story delves into his typical reliance on isolation and lost connections, this one pushes further and begins to open up to chance and success in life.  This movie does seem to show the beginning of a shift in his story telling from purely realistic and depressing portrayals to more feelings of hope and success, sprinkled with the super natural.  A modern classic, a film that will stand the test of time.

 
    Kae is an overweight loner who obsess over boys love manga.  In a miraculous transformation she sheds off all of her excess weight in a short amount of time, surprising everyone in her school.  The new her draws the attention of all of the most desirable guys in school.  Even though her outward appearance has changed her inner self has not.  Suddenly all of the boys she fantasized about doing dirty things with each other are fighting each other for her hand.  What is a girl to do with all of the attention...that may or may not be wanted?

    The joke is rather shallow and the message of outward appearances being everything is startlingly dangerous.  But the series does have its enjoyable moments.  In the end though it can;t overcome its dangerous message of vanity and self sacrifice for popularity.  The romance, like everything else, is only surface level to deliver a few jokes that never pan out to anything memorable.

 
 
    After getting cheated on by her boyfriend, college student Akane decides to make the best of it and dive head first into the MMO he convinced her to play with him.   Her desire to make him regret his choice leads her to meeting her MMO guildmates in real life.  She begins to develop feelings for one of the guilds creators, stoic and disembodied high school-er/semi pro gamer Yamada.  

    This series adds a few new twists to the standard slice of life romance, combining adult characters with high school characters as well as wrapping in gamer culture.  It gets somewhat bogged down with a few tired tropes and struggles to stand out with well developed characters and plot lines.  Instead we deal with a main cast of mostly one dimensional archetypes, especially Yamada himself.  Akane is really the only one with multiple aspects but its not enough to make this one special.  Good for a time waster but can be easily forgotten.

 
 
    Hitoshi is a pathetic otaku outcast who suddenly gains the power to experience his future life.  Through these time slips he discovers he is married with his grades most desired woman, Wagatsuma.  His friends chide his revelation to him, forcing him to join in on their secret campaigns to punish the popular kids in school.  As he tries to pilot his ideal future he begins to altar it to less than desirable outcomes.  Will he be able to ever have the future happiness he was destined to, or will he and his friends meddling ruin everything?
 
    This was a terrible manga that suffered from inconsistency and distraction.  To the point where its author abruptly retired from being a manga-ka to pursue a different career path.  When the story focused on the primary plot of Hitoshi working to achieve the future he desires, it was pulled to other less important plot lines that did nothing to advance the main point of the manga.  The series did officially conclude but it was done so quickly and haphazardly that it wasn't even worth the time.  This was a waste but at least it was allowed to die before it completely suffered.  Hard pass.


Night is Short, Walk on Girl!
 
     An upperclassman in college takes a junior out for a night on the town, with plans to confess his feelings for her, the raven haired girl.  The girl on the other hand has other plans and is largely oblivious to the older mans intentions.  Instead she charges head long into a night of drinking and revelry.  As the evening progresses and the raven haired girl continues to slip away from the senior strange occurrences begins to manifest.  The girl ravenously consumes alcohol with reckless abandon while cheerfully interacting with the strangers she encounters along the way.  As the night marches on the senior struggles to present himself in a manner that will give him confidence to express his feelings, its as if the world its self is fighting against him, closing all of his paths before him.  The girl, blissfully enjoying her time marches forward facing all challenges.

    This is an incredibly surreal and amusing story based on a novel of the same name by Morimo Tomihiko, author of Tatami Galaxy.  The movie is directed by Yuasa Masaaki, same as who helmed the anime adaptation of the other series.  Both stories take place in a shared universe in which the supernatural apply generous influence on the world.  The story is winding and complex with surreal art to match, well worth the time for something different and enriching.  Go watch Tatami Galaxy as well!



    The friendship of two high school boys is put to the test when an alluring girl transfers to high school.  The girl grows closer to one of the boys but the relationship seems to be one of convenience and exploitation.  Too much strain ends up causing all three to become distant with no possibility of reconciliation.  The strain of jealousy and dishonesty being to great to heal wounds even after many years.

    Ocean Waves is an interesting movie from Studio Ghibli that falls under a lot of peoples radar.  It was a chance to allow the younger staff in the studio to make their own film, as an experiment in freedom.  It was designed for TV broadcast and restricted in its budget so it does not meet the expectations by other films from the studio.  It is a pretty straightforward story about betrayal and loss that can be worth its time.  But it is quite different than many anime romances, dramatic or otherwise.

 

     Tsukimi moves to Tokyo after high school to work as an illustrator but her meek personality does little to help her adjust.  Her life and the lives of her otaku room mates turn upside down when she crosses paths with a cross dressing rich kid.  The guy, Kuranoske, who has grown up in wealth and splendor, takes an intense and overpowering interest in the demure Tsukimi.  He begins to inject himself as much as possible into her life, causing her stress and unease.  Kuranosuke see's Tsukimi as his muse and wants to uplift her to a life of success, which he can be a part of.

    This is a fantastically cute and enjoyable story about misfits of various styles.  Unfortunately the anime doesn't do justice to the manga, ending way to soon into the story.  That said, the manga its self ends in a rather in-conclusive way, but satisfyingly expands the readers time with these lovable characters.  This is a well done ugly duckling type story that handles the characters personalities with care.  In the end Tsukimi remains true to herself.



    Sakuta tends to attract people to him with a mysterious affliction called 'adolescent syndrome'.  The syndrome is a supernatural manifestation of the stresses of adolescence, from peer pressure, social rejection and self-esteem issues.  Sakuta, who overcame his own ordeal years earlier is driven to help others in similar situations, just as he had been helped overcome his.

    This is one of the best anime made in quite a while and shares many similarities to the Haruhi series.  Its strengths lie in the depth and realism in the characters through out. Without a doubt, a highly recommended title.

 
 
    If you were given a chance to relive a portion of your younger life while retaining all of your current experiences would you?  This is just the situation presented to social failure Kaizaki is presented by a strange pharmaceutical company.  If he succeeds in pretending to be a high school student for a year he will be restored to his adult self and given the chance at a career.   The test is partially being done as a way to help Kaizaki understand his importance and use in life, instead of wasting away as a loner with dead end jobs.  What he wasn't prepared for was his feelings for a classmate, who reminds him of past issues he had to deal with.  Neither he or the girl realize that they are both test subjects for ReLife, so their life afterwards may actually be able to happen.

    The concept of reliving the past with your current knowledge is always an alluring prospect.  ReLife twists it a little with some fantastical science instead of magic while also keeping the subject in the same time.  Beyond the baseline premise, ReLife is a well done slice of life story in which a small band of characters, both real and adult student, that addresses many modern problems.  The mystery layer between Kaizaki struggling to hide whats going on and he growing feelings for his classmate are handled quite well.  Overall, great story that had a respectable anime adaptation.

 
     Hanabi is in love with her homeroom teacher, who is also an older childhood friend.  Mugi is in love with the music teacher, who was also his tutor in middle school.  They both know their love is unrequited.  Instead they choose to use each other as replacements for their loves, pretending the other is them.  But they don't want to fall in love with each other, as that would be lying to themselves.  When others challenge the hidden and toxic relationship they begin to have doubts about the future they really want, hoping that if they finally confront the assumed rejection they can move forward.
 
    This is a mature and somewhat dire story about people who are unwilling to be true to themselves but desperate for contact and comfort, even if its a lie.  This story delves headlong into the more explicit mindset of adolescence and the readiness to embrace maturity before they are ready to.  This is also a rare 'romance' story that truly has an antagonist, a malicious player that pushes the characters to greater misery and depredation, all in the search for their place in life.

 

    Mitsumi moves in with her aunt to attend high school in Tokyo.  She is driven by ambition for power and greatness, wasting nothing in that pursuit.  She was able to gain access to a prestigious high school, with an eye on entering Tokyo U.  Even though shes an outsider with a rural accent she quickly gains a small group of friends from her class, one of them being a hottie named Sousuke.  Mitsumi has to overcome her own insecurities and naivety among the sophisticated city kids but her honesty brings out their best.  Her friendship with Mitsumi grows stronger but she is uncertain if it can move to something more serious.  At the same time, even though he is warm and welcoming there is a darkness in his past that keeps him closed off from anyone.

    This is a really fun and calming series that hits the standard high school romance strides but doesn't get bogged down with forced drama.  It feels like a good representation of a new, younger generation of romance authors with subjects it presents and plot lines if negotiates.  At the same time it still seems to be chained down with expectations of past generations benchmarks.  Do all high school romances really need to have beach and cultural festival episodes?  Is this a sign that we might be starting to see a move to new narrations in this genre?

 
    Meiko struggles with being satisfying with her life after graduating college.  She lives with her boyfriend and has a steady job in an office, but she feels mediocrity of existence is not what life has in store for her.  She abruptly quits her job and convinces her boyfriend and his college friends to do something with their music hobby and try to life a life of expression and freedom.  Will they be able to achieve the impossible or are they just distracting themselves, struggling to grasp onto their long gone childish ambitions? 

    Solanin is the most accessible story by Asano Inion, being driven by stark realism instead of amplified darkness and depredation.  As with everything he has done, the artwork and characterizations are unique in the wide world of manga.  There is nothing but reality here.  The story revolves around these young adults and their lingering reluctance to move on to a life of stress and irrelevance.  They fight against the reality that most people are not lucky enough to achieve their dreams and wishes.


    You find yourself a failure of a man as your college years near their end.  Your well laid plans failed at every turn...if only you could try again, what would you try differently to gain your desires?  Well, its very easy to keep trying those years again and again until you get it right when your best friend and worst enemy is a god of mischief.  How hard can it be to craft the perfect outward personality to finally gain the love of the idealized raven haired girl?  Pretty hard when you don't even retain the lessons learned from each failed attempt...oh and the constant distractions from your god/friend/foe.

    This art house style romantic comedy come reality warping psychedelic trip is a fantastic departure from the norms of anime romance and anime in general.  The uniqueness come from a combination of the source material novel and the vision of the director and animation team.  The entire package is an amusing farcical mind bender that is well worth the time for anyone feeling a little adventurous in their viewing pleasure.


 
 This Art Club Has A Problem
 
    Mizuki has a few problems in her young life.  Her favorite place in school, the fine art club, is in danger of dissolving.  The boy she likes, a fellow club member, only has eyes for his perfect 2d creations.  Will Mizuki be able to conquer both her love and the loss of the thing she enjoys the most in school?  Only time will tell, but pretty much everything is stacked against her being successful.
 
    This is an interesting if unfortunately average at best take on that standard school age romantic comedy.  Its a blend of that format and classic yonkoma gyagu manga.  Absurdity abound, heavy handed otaku comedy and just plain slice of life oddity. It struggles to make either of its directions really push into quality territory, failing to do much of interest.  It could of had potential but it floundered around too much to really achieve any advancement.
 
 

    Nasa Yuzaki is driven by the sole goal of being more famous than his name sake, but all of the ambition and drive is derailed when he is saved from death by a beautiful and mysterious girl.   In a moment of emotion he tells her he will marry her.  Much to his shock she returns to his life 3 years later to seal the deal.  Now, as if out of nowhere, Nasa is married to the woman he threw away all his ambition for.  But who is she and how well is his newlywed life going to be?
 
    Tonikawa is a cute and innocent slice of life comedy about unlikely love and the drastic willingness to abandon all reason for emotion.   The story has no real direction that it takes, just showing the young couple as they figure out how to life with each other.  At times its innocence can be sickening but it is a fantastically fun series that doesn't need to do anything other than meander as it does.


 
    Azumi Kotaro wants to be a novelist, idolizing Dazai Osamu.  In the third year of middle school he falls in love with Mizuno Akira, a talented member of the track team who gets along with everyone.  The pairs shyness makes interacting in person difficult but find a more relaxing environment in the Live app.  After a school trip they decide to try being a couple, working to overcome their insecurities while they also look towards their future in high school and beyond.
 
    This is a very low key, dreamy slice of live romance.  The characters are portrayed in realistic ways, with insecurities and personalities that change with the people they interact with.   Its an idealized and clean story about young love and growing into adulthood from early adolescents.  The artwork takes on a watercolor palette and the music is suited for a quiet cafe or lounge.  This is really a tender and innocent love story that wants to wrap you up in a warm blanket and put you to sleep.

For your continued enjoyement, here is the next, fourth retrospective.