In Defense of the Gyagu

    One of my all time favorite genre's is the raucous styling of gag manga.  Largely joke driven instead of plot driven, many times yonkoma formatting and just indecipherable for those not in the know.  Many times the artwork is crude, either to enhance the absurdist nature of whats being presented or because the author is a far better jokester than artist.  Out of all of the genres of manga or anime that see distribution in North America, it may be one of the hardest types to sell, perhaps similar to the difficulty of sports stories to gain traction.

    There are some well regarded titles that sit firmly in the gag camp, Gintama, Nichijou, Lucky Star, etc.  Yet the titles generally have a hard time finding large audiences especially with audiences that are looking for something familiar and/or story driven.  I have long been a fan of the genre, eagerly seeking out the bizarre titles that no licensing firm would ever contemplate bringing to America.  Titles like the fantastic Gag Manga Biyori or Super Radical Gag Family.  America has its own history of absurdist humor and what amounts to sketch comedy.  Its not difficult to make connections between Saturday Night Live and Gag Manga Biyori.  They both deliver short, self contained concepts who's sole intent is to deliver a punchline.  Some gag manga is difficult for Westerners to approach because of the localized nature of the comedy.  This can be especially hard when the comedy is styled on the manzai form of stand up.

    I had initially started to write about my love for gag manga ten years ago and just sat on a partial script until finally scrapping it.  The week of this writing the Netflix exclusive American cartoon inspired by the card game Exploding Kittens premiered and I watched a few episodes of it.  I enjoyed it at first but then noticed a common pattern in American adult animation.  The need for the writers to force a plot in a single episode as a weak support system for the jokes that are the real focus of the writting.  What I enjoyed with the Exploding Kitten cartoon was the absurdist cringe humor peppered through out.  Unfortunately the bulk of each episode was consumed with trying to develop an unnecessary narrative that was both contained in the episode and could be expanded across a larger story.  I believe the product would have been far more satisfying to both the audience and I suspect the writing staff if it compartmentalized its self focusing on the jokes as the most important, in the way Robot Chicken does.

    Even the original source material, The Oatmeal, is self contained jokes and musing with zero over all plot of connectivity.  Yet the choice was made to follow the formula used in all manner of adult cartoons designed for Adult Swim and it turned into something that was an imitation of those other show sprinkling with some amusing biting commentary.  It could have been some much more if it hadn't fallen victim to forced expectations instead of relying purely on the strength of the joke writing.  I have a similar opinion on the Deadpool and Guardians of the Galaxy films.  Both of those series have no need for a structured plot as the joy of the movies is the absurd interactions between the characters.  Trying to force in a grander story or message only gets in the way of the joy.

    Gag manga is a hard sell, even if there are a number of well received titles that have found homes in North America.  It doesn't usually get the attention that other more exciting genres get so large portions of the fan base shy away from something that is so different than they are familiar with.  But all it takes is to find that one title that scratches an itch that's never been scratched before to make someone a believer.

    In conclusion I think my gravitation towards gag manga and anime was laid down as a young child, growing up on sketch comedy like SNL, Monty Python and SCTV.  I'm of the opinion that the greatest comedy movie ever made is The Jerk and its story barely does anything other than to set up all of the jokes.  There is so much gag manga out there that is difficult to get into because of how obtuse the jokes are if you're not familiar with the medium, that and some legitimate cultural differences.  But honestly, thumb through a copy of Life Lessons With Uramichi-oniisan and tell me you didn't laugh.

Look Back

 Look Back (ルックバック) is a dramatic slice of life movie based on the manga of the same name by Fujimoto Tatsuki.  The movie was originally released in theaters in 2024.

 Spoiler Warning: In order to properly discuss the film plot points will need to be somewhat spoiled.  Please be aware of this before you continue.

    Fujino Ayumu draws the 4-panel manga for her school weekly newsletter.  The praises of her efforts by the other students and her teachers carry her through her days.  She sits confidently on top of the world through her artwork.  Another student begins to submit 4-panel manga for the newsletter as well, a girl who doesn't come to school named Kyomoto.  Fujino figures that a girl who can't even attend school on a regular basis might not be able to meet the weekly deadlines.  The first strip by Kyomoto completely devestates Fujino.  The shut in girls highly detailed creations offer a stark contrast to the juvenile nature of Fujino's artwork.  Everyone notices and in an instant her praise and admiration evaporate.  Bulking at the difference in ability, Fujino doubles down and consumes herself with studying art, feverish to improve her abilities.  Time slides by as she does nothing but study and practice, trying to surpass Kyomoto.  Her single minded focus causes her friends to grow distant and her grades to slip.  After so much effort and sacrifice she realizes she doesn't have the ability to surpass the other girl and decides one day to completely give up drawing manga.

    On the day of graduation from middle school her teacher tasks her with bringing Kyomoto her diploma.  Begrudgingly she does only to find her house lifeless.  She creeps in through the unlocked front door and sees piles upon piles of sketch books lining the hallway, to what she assumes is the other girls bedroom.  Angered by everything she grabs a strip of paper and jots down a quick manga, attacking the other girl.  A gust of wind slips the strip underneath the closed door, panicking, Fujino flees the house.  Kyomoto notices the art and realizes who the intruder is and rushes out after her.  The disheveled timid girl yells after Fujino as she briskly walks down the street.  That works and she stops, tuning to see her rival for the first time.  Kyomoto addresses her with admiration and respect, gushing about specific panels Fujino drew over the years that she loved.  When she asks her why she stopped drawing Fujino concocts a lie about changing her focus on creating a manga to submit for publishing.  Kyomoto begs for Fujino to let her read it.  Even though no such creation exists she tells her she will and leaves to return home, propelled by the admiration her rival pours upon her.

    Fujino returns to manga creation as she enters high school, crafting a concept to submit for publication, she decides to partner with Kyomoto, tapping into the other girls abilities.  To their complete surprise their creation is selected for a new artist contest and wins 2nd place.  The success gives them some money to use and a foot in to door to produce more works for the publishing company.  Through out high school the two girls feverishly produce short manga one after another, all getting published.  Kyomoto has dropped out of school, still unable to interact with other people very well and wanting to pursue art full time.  As graduation approaches their editor sets them up to begin a longer series for the magazine.  Kyomoto tells Fujino that she has to step away from the work.  She has a great desire to improve her art and to grow into a more productive member of society by forcing herself into social situations.  Fujino is upset with her decision, relying on her artwork and design input.  Fujino believes that she is all the other girl needs, that she can always lead her into the future.  Kyomoto is determined to improve herself both mentally and artistically and goes ahead with art school.  Meanwhile, Fujino pushes ahead with a serialized manga that gradually becomes successful and popular.  But her success brings problems as her reliance on assistants causes her extra work.  Her world shuts down when a rampage at the art college Kyomoto attends leads to the other girls death, along with many other students.  Fujino struggles to comprehend the loss and believes that the choices she made lead to her friends death.  The story ends with a quiet note of reflection and speculation on Fujino's part as she faces the world without her rival and friend.

    Fujimoto is known for his super natural shonen action hi Chainsaw Man, a series that has never interested me.  This however, has been on my mind since the first preview came out for it.  I absolutely love dramatic retrospective stories and this hits a lot of those beats.  I feel the message that we can take from this story is to appreciate the time we have with those around us as we have no control over how long that time is.  Nothing you can do will change things once they have happened, no matter how much wish crafting we do.  The story telling is poignant, precise and well paced for what it wants to say.  There is really no wasted time and the majority of it is the set up of the relationship between the two girls during their formative years, using a fantastic time lapse of them working on manga during high school.  That said, I still have no interest in Chainsaw Man...even if I can recognize some story telling skill on Fujimoto's end.  This however is well wroth the hour run time.

    A lot of people may bulk at the artwork, which is full 3DCG.  Its not clean or pretty by any definition of those words.  But it fits well with the characters and the story.  At times it felt like it was rotoscope like that found in Flowers of Evil.  With all the uncanny quirks with this style of animation, the production team showed off how it can be used effectively for framing and motion.  But in the end this is a no frills production that focuses more on the dialogue and exposition to tell the story and it does a really good job at that, a fantastic job.  This is a heavy movie that may not be for everyone but it doesn't make the subject material a spectacle.  It doesn't romanticize anything, choosing to be stark and bare in its emotions.  It's been a while since an anime kept me awake at night thinking about it.

The film is currently available in dub and sub on Amazon Prime.  I am going to need to pick up the manga to add to my collection. 

Returning to Ninja Scroll

 Ninja Scroll (獣兵衛忍風帖,) is an action movie from 1993 created by Kawajiri Yoshiaki.  The movie was originally made available in North America in 1995.

    Set in the 16th century, Kibagami Jubei is a wandering swordsman who finds himself wrapped up in a plot to over through the Tokugawa shogunate.  He encounters a beastly man in the middle of 'assaulting' a woman.  He doesn't enjoy the idea of forced anything and does what he can to help the woman out.  She however was helping herself out as well and with some quick thinking on both their part the monster is distracted enough for them to escape.  The woman introduces herself as Kagero, the sole survivor of a team of ninja's from the Koga clan, sent to investigate a strange rumor around a port village.  As the team came to investigate the stories of a plague wiping the village out the monstrous being attacked them, killing all of the men and kidnapping Kagero for some entertainment.  She parts ways with Jubei to return and report the tragedy to her master.  Jubei continues on his way only to be attacked by the same monster, a super naturally enhanced man going by the name Tessai.  His body is made of stone he towers above mortal men, at perhaps 3 meters in height and weilds a massive double ended...sword?  The battle seems lost to Jubei, he is a normal human with some tenacious abilities and sword handling.  Tessai's stone body suddenly begins to crumble, allowing Jubei's sword to do damage leading to the creatures downfall through his own weapon being uncontrollable.  

     A wizened man appears and gives the swordsman some details about what he just faced.  Tessai is a member of 8 demonic ninja's who are working for a shadow shogun, planning on over throwing the real shogun and restoring power to a different clan.  The old man is a Tokugawa spy and forces Jubei into helping him in his current mission.  A few years earlier Jubei was part of a ninja team who had uncovered an illegal gold mine.  In a series of unfortunate actions he was forced to kill all of the members of his team due to an order to try and hide the gold mines information from being leaked.  Jubei exacted revenge for his comrades by killing the man responsible for their death, a man named Gemma.  The old man informs him that Gem,ma still lives, after Jubei cut off his head, and is the leader of the demon ninjas who are protecting the gold mine.  The old man poisons Jubei and tells him he will receive the antidote once his investigation of the gold mine is completed, forcing the swordsman to face against the demon ninjas and a man he killed once before.  Kagero returns to the area after informing her master of the failure and arrives in time to save Jubei from another of the demon ninja, deciding to join him and the old man on their mission, looking to learn more and for a chance at revenge for her teams destruction.  The three venture into the heart of the beast, facing super naturally powered beings with their only goal being survival until the next day.

    Ninja Scroll was one of the most important and influential anime for American otaku in the 90's.  It was one movie that almost everyone who watched anime saw.  I have been meaning to re-watch this for a while now, as I have not seen it since the 90's.  I wanted to revisit it and see how my opinions of it have changed over the decades as anime and myself have changed drastically.  I ended up finally watching it when we chose to do a side quest episode for the Otaku Network Podcast around it.  I wanted to have David watch it and get his thoughts on it from the perspective of someone younger and much newer to anime fandom than myself.  Listen to that episode here for his, mine and a guest opinion on this 30+ year old samurai film.  I talked about it at length but wanted to also express that here with just my thoughts to focus on.

    Ninja Scroll is absolutely a product of its time, coming at the end end of a decade of decadence in anime production.  Through out the financial boom on the 80's a lot of risky anime was produced, stuff aimed for either direct to video or theatrical markets, unburdened by censorship.  Ninja Scroll came to light from a mutual love of Japanese period drama's and American action films and it shows.  There is a lot of visceral violence and degradation.  The story is shallow and linear, being little more than an excuse to have the character fight a series of bad guys.  My love for anime has fallen heavily into the slice of life and romance genres.  I am not impressed by rippling muscles and ultra violence like I was as a teenager.  I suspected for a while that I wouldn't have any lingering favorable opinions on this movie.  I was quite surprised that I still held a somewhat favorable opinion on the movie.  I have never been a fan of the character design and a lot of the artwork is simplistic, at least in its detail.  There are some well directed fight sequences and some moments of amazing cinematography.  The sexualization of its female characters is problematic and definitely a product of its time...even if there is still a problem with that in anime as a whole.  Ninja Scroll really is the feudal Japan answer to the 80's American action film.  Jubei, the stories hero, is an enviable and noble hero and strong man.  Able to over come any physical injury and situation to win in the end.  Yet he's also vulnerable, one aspect that's not present in 80's action films.  Outside of that 'flaw' of masculinity, he is just another action hero to make the male audience swoon with envy.  While it doesn't have a lot of merit as a piece of art, it is a well enough crafted action movie that it shouldn't really slip into the sands of time.  It's still worth checking out for new and old anime fans, unlike a lot of the iconic titles from that time period.  I don't plan on ever watching it again, ever.  There is no need.

For a long time this was widely available streaming.  But it's become scarce, I believe tied to a recent theatrical return and new blu ray release.

Weekly! Ranma podcast series

 You may not have noticed, but there is a new weekly segment for The Otaku Network Podcast called, Weekly! Ranma.  The first episode is already available on YouTube and Spotify at this point and each episode comes out Friday mornings.

 

    Given my anime fandom started in the early 90's, Ranma is a a vital part of that fandom.  I became aware of the franchise a little before the concept of anime took over my brain though.  It came in the form of an article in some forgotten gaming magazine in 1993.  The article, promoting the newly release Ranma 1/2 Hard Battle release for the SNES, provided and overview of the story its self and then went on to talk about the game.  I don't remember anything about the article other than it highlighting the entire concept of the series...the Jusenkyo curses and Ranma transforming between boy-type and girl-type.  I also remember it talking about one character doing the same but into a panda instead of a girl...Ranma's father.  That novel concept stuck with me and I remember mentioning it to friends at school but it kind of filed its self away.

    Skip ahead to either 1995 or 1996 and the obsession with anime is in full force.  As we scoured the shelves of Blockbuster I noticed tapes for the Ranma TV series immediately recalled the article from earlier in the decade and started the journey with episode 1 of season 3...and the introduction of Ukyo to the story.  Look, don't judge, back in the day we weren't bothered by continuity and just watched whatever was available and figured it out from there!  From that point the series became a core title in frequent anime consumption and as a key piece of bringing new people into the cult.  So...to say I was excited about Ranma getting its own remake treatment like Urusei Yatsurai...I would be understating my joy.

    I wanted to discuss it with David, who had only ever seen the first episode of the original series, as part of a whirlwind I put him through trying to find anime that trigger an interest in him at the beginning of his journey.  After episode two, his reaction was exactly what I was looking for!  Ranma still has it.  I really had no idea what to do with the episodes from the direction aspect.  Of course the dialogue will follow the standard of doing an overview of the plot of the episode followed by a discussion about it.  Thats the easy part, but I sat there as the deadline was staring me down, trying to come up with a way to make it different from the other podcast episodes, which are mostly quite static and uninteresting.  I spent about six hours a day and a half before its publishing date and just started throwing idea's against the wall to see what would stick.  Its a bit messy, but I like the groundwork laid with the first episode, with showcasing the way similar scenes look between both versions.  It became pretty time intensive at first to pull them and try to fit them in with the narration of the episode and then find something to fill in the discussion portion.  With episode two, which was recorded and edited down the night before putting this blog post together, I believe I am satisfied just using the comparison panels showing the progression of the episode to occupy the bulk of the background.  Regardless of where we are in the discussion.

    This may change as the episodes progress in this series, but I am OK with a change in consistency.  Also, the song was slapped together in about an hour in my studio...though maybe I shouldn't admit that!    The original opening theme from the first series is so icon to me I really wanted to play around with it for the podcast.  It took a while to isolate the samples in a way that was fun to program with everything else, but I'm not that embarrassed by the work!  Oh, also if you didn't know...again maybe I shouldn't admit this.  All of the background music for the podcast episodes are done by me...

Closing, I hope that my love of Ranma can come across in the podcast episodes dedicated to it.  I'm also really open to suggestions from you about ideas that can be implemented to enhance the experience.  Thanks for reading and listening and enjoy!!

First Look at the New Titles for the Fall of 2024

 We are into the Fall season, here are my thoughts on the initial episodes of the new shows I had picked to check out.

Tying the Knot with an Amagami Sister

    A struggling high school student ends up boarding in a shrine run by three miko sisters, all with distinct personalities.  He has to juggle the insanity that they present in order to focus on his schooling but they continue to invade his life in unusual ways.

    Two and a half minutes into it we got fan service,  14 year old, 17 year old and a 20 year old in sexy lingerie.  Pilled up for the viewing pleasure..   I could have sworn this was based on a series by Seo Koji, but he's too busy with that Goddess Cafe thing.  I digress.  There is zero redeeming qualities to the tired and played out tropes in this show.  Its so excessive it has to be a joke right?  This has to be making fun of shitty shonen romance stories by mocking them?  No...its really just repeating played out concepts for literally no purpose?  Ugh, yeah pass but I also didn't have any hopes for this one, it was more an off hand inclusion to the list.

If you want to watch it, its available on Crunchyroll.

365 Days to the Wedding

    Two employees at a travel agency are faced with the possibility of a forced transfer to the branch office in Anchorage Alaska.  They concoct a plan to fake an engagement to each other to remove themselves from consideration.  Now they just have to make it believable for the next year to avoid the transfer.

    This was a much needed palette cleaner after the Amagami Sister garbage.  This is a forced romance between two awkward office workers.  Its pretty understood that as they have to spend more time together pretending to be in love they will fall in love for real.  There is a solid chance that the woman in the situation, Honjoji, more than likely had feelings for the man, Ohara, leading her to approach him with the concept in the first place.  This will be fun, even if it probably won't be earth shattering new.  But it so far is really cute and low key.  A nice adult romance between two very socially nervous people.

The series is being simulcast on Crunchyroll.

Dan Da Dan

    A gyaru and an otaku end up becoming linked when they challenge each other into believing the unbelievable.  The otaku becomes cursed due to the gyaru and the gyaru feels responsible and decides to stick with him until the curse is broken...but fate may be at work here for something different as these opposites are forced into extreme situations.

    I'll admit...I was a bit hesitant with this one after the later previews came out and it focused more on Occult-kun's transformations and it appearing to be some battle anime, spurned on by libido.  It hasn't not become that, but there is a lot of charm to the work, some of it has to be through Science Saru's magic.  The first episode was fun, even if the extended moments of Momo mostly naked seemed a bit unnecessary in...the details lets say.  But hey, I guess I'm just a prude.  Anyways, the first episode was fun, sets up an interesting precedence but really made me anxious for the anime adaptation of The Summer Hikaru Died!

The series is being simulcast on Netflix and Crunchyroll. 

Is It Wrong to Pick Up Girls in a Dungeon - Season 5

    We pick up after the dramatic events of the 4th season and Bell along with the rest of the Hestia Familia is safe, rested and powered up.  Bells troubles start once more when one of the women who works at their favorite inn decides to move on her feelings for him, dragging Freya's Familia against our hapless hero.

    Ah this is a bit of a welcomed return.  I really didn't like season 4.  Felling it slid the feel of the world building back to the beginning and took too long to tell what boiled down to one characters background.  This first episode promises a change of pace back to something more in line with what was going on in season 2 were the God's are getting more actively involved in Bells life.  Should be fun!

The series is being simulcast on HiDive.

Blue Box

    High school kid with abnormally developed upper body has feels for older girl who is a star of the basketball team.  He exhibits innocent but stalker like habits in order to be near her...in the hopes she pays attention to him.  He finds out shes moving away and he does a not confession confession about how he feels she should pursue her lost dreams before she leaves.  She then tells him only her fam is leaving and shes staying behind with a family friend.  Skip to later that day and his mom is said family friend.  So now hes living with the girl he likes and the two are going to do sport stuff together.

   Honestly I feel like I'm being unduly harsh to this series.  But the semi-high quality animation pisses me off.  A lot of really nice slice of life stories get shafted when it comes to the animation quality.  Yet when we have a series that falls out of the pages of Shonen Jump it gets a big budget even if its less original of a story.  But...the quality of the animation seems to be a bit of a charade.  The characters themselves, especially their eyes is...soul less.  Their legs are also very disproportionate compared to their upper bodies...and again the MC's torso and neck are super defined and thick...like way too much for someone who plays badminton.  He looks like an Olympic swimmer!!  Half way through i really started to think about how this compares to Suzuka and wrote that of since they don't live in proximity with each other, which was a vital aspect of that series....then the last 2 minutes dropped and I was like...yeah this is Suzuka for a new generation.  I guess I will stick with it for a bit, but the length is not guaranteed.  At least its not leaned into fan service as all...so far.

 The series is being simulcast on Netflix. 

 

How I Attended an all Guys Mixer

    A college student is asked to attend a mixer by a girl in his class.  He wrangles two of his friends into it easily enough but things take an unusual turn when they show up to see 3 handsome men waiting for them instead.  One of the guys reveals to the bewildered men that they are the women they expected.  They all work at a drag king bar and figured they wouldn't have the time to change so came as they are.  The guys are a little unsettled by this but the women ham it up and convince them to party through out the town all night long, attracting more attention than the real men due to their dashing looks.  How much of this was planned by the women to toy with the hapless men and does the woman who orchestrated the entire thing have feelings for her classmate?

    This was a lot of fun and really easy going!  It felt a lot like a grown up version of Ouran Host Club and I look forward to watching this show through out the season.  There seems to be a fun romance plot thread in it but I suspect its largely going to be about the guys getting set up in situations by the women drag that make them uncomfortable.

The series is being simulcast on HiDive.

 

Ranma 1/2

    The reboot of a classic anime, one of the cornerstones 90 fandom in America.  The story of a boy whose zealous father leads him to being cursed to transform into a girl when splashed with cold water, only to revert to a boy with warm water.  He finds himself at a strangers home forced to pick one of the strangers three daughters to be his future bride to carry on the martial arts school his father and the stranger belong to.

    The first episode is a pretty faithful copy of the first episode of the origin season from 1989.  The animation is a little different and there is more going on to enhance the series, especially when Ranma and his father get into a fight in the street and the color palette changes and the line work becomes reminiscent of a manga.  It's going to be great to revisit this classic and to see what changes will take place given how the world has changed in the past 35 years 

 The series is being simulcast on Netflix.

 

Orb: On the Movements of the Earth

    A crafty orphan in a alternate version of Europe in the 15th century has used his intellect and abilities to manipulate those around him to live a comfortable life.  As he is about to enter university to study theology his guardian takes in a renounced heretic who forces the young boy to be an accomplice in his pursuit of forbidden knowledge...studying the heavenly bodies and their movements in the sky.  The heretic tells the boy that the reality of the universe is not one where the Earth exists at its center.

    This is one of the three shows we're reviewing for the Fall season of The Otaku Network Podcast.  So far the intro episode was good.  It set a dark and suspenseful tone.  The main character is a pretty believable 12 year old who is cocky but easily influenced when someone else more crafty than he appears.  It will be interesting to see how this story unfolds and what type of endgame it has in store for us.

 The series is being simulcast on Netflix. 

Tsuma, Shogakusei ni Naru

    After losing his wife ten years ago, time has stopped for salary-man Keisuke.  When a 10 year old girl comes to his house, proclaiming to be the reincarnation of his long lost wife, the world becomes a brighter place but the dramatic age different and genetically different person make things quite complicated and difficult to reconcile.  But hes over the moon that she exists regardless of her age, he loved her for who she was.

    This show is my pick for the Fall season of The Otaku Network Podcast and it delivered way more love and joy than I anticipated.  One episode in and I am already hooked....this may be my favorite show of the season and we just got started.

The series is being simulcast on Crunchyroll. 

Uzumaki

    The long awaited adaptation of Junji It's highly regarded manga.  A girl in a small sea side town begins to struggle with everything around her falling into madness and degeneracy due to a growing influence of spiral formations infecting the town.

    I loved the direction they went in keeping the art black a white, like they animated the pages of the manga.  Looking back into the archives of this blog I never got around to doing a complete review of the manga, just a quick note when I started reading it.  I do remember the lace of the manga being as haphazard and hectic as the anime, where it is difficult to get a feel for the passage of time.  Everything just seems rushed.  Another thing the anime highlights is how difficult it is to be truly creepy in the medium.  Some aspects are more absurdly comical than actually frightening.  Manga and anime have always had a hard time presenting themselves are frightening.  Text only stories have the ability to infect the reader and manipulate their imagination.  Live action has the ability to make things look more real than real.  Manga and anime was just drawings...it's very difficult to make that horrific.  And the amount of time and detail it takes is never going to be financially viable in anime.

The series is being simulcast on Max.

Magilumiere Co, Ltd.

    A fresh graduate finds herself struggling with job interviews.  She does everything she thinks will help her get hired by thuroughly researching each company before hand, but its all for naught as she remains unemployed.  An interview at a finance company is abruptly interrupted when a monsterous being crashes through the ceiling.  The company has been careless in their policies to keep the beasts, known as kaii, at bay and are now being attacked by one.  The only choice they have is to a magical girl company to have them come out and dispatch the menace before it causes too much havoc.  They end up calling a small and low budget company called Magilumiere and they lone magical girl comes immediately.  When the magical girl realizes that the threat is greater than she can handle alone she tries to recruit one of the by-standards for assistance.  The girl struggling to find employment offers to assist and proves to be a valuable asset.

    Its hard to tell what type of story this one is going to settle into.  Its a magical girl story with dramatic action sequences and plenty of magic babble being spewed around.  It also appears to be a workplace dramedy?  Hard to say.  Aspects of it remind me of Read or Die and Soul Eater.  I am on the fence with this one but we will see what a few more episodes deliver as its just barely scratched the surface of the story.

The series is being simulcast on Prime.

Tower of God Season 2 part 2

     We move the story into the Workshop challenge and many ofd the people from Bam's past are going to be intersecting with him as it progresses.  Only Kuhn suspects that he still lives.  When season two was announced, I suspected would get at least as far as the conclusion of this arc and something tells me we that is still the case.  Its hard to say how long it will be until we get more of the manhwa animated.  It feels like there has been a good amount of dissatisfaction with season two, between a change in animation studio and a significantly different and confusing story compared to the first season.  I do hope they keep going in the near future as there is a lot of cool story that still needs to be told but I can't read the future so we will just have to wait.

The series is simulcasting on Crunchyroll.

A Terrified Teacher at Ghoul School

    Abe Haruaki has always wanted to be a teacher.  A year earlier he began a job at a high school only to quite is less and half an hour later after relentless bullying by some students.  He has been offered the chance to teach again bu a family friend.  He finds himself on a friendly and isolated island, and is introduced to his class. However, his situation appears even more dire as the school only teaches yokai from around Japan and hes its sole human staff member.  He has to overcome bis fear of the abnormal teenagers around him as well as develop the tiniest amount of self esteem if hes going to be able to succeed.

    Take Sayonara Zetsubo-seinsei, make the teacher a coward instead of suicidal and turn the kids into yokai and you might be close?  its no where near as stylistically bold as that fantastic satirical comedy but there might be some potential with this one to at least be entertaining.  I will give it a few episodes to generate more interest out of me.  I admit im not very versed in the lore of a lot of traditional and modern yokai and that may hurt the enjoyment of this series.  But we will see...

This is being simulcast on Crunchyroll.

Bananya Around the World

    The third season of the fun and lovable short anime series doesn't start for a few more days.  But I know its going to stick around in my watch list.  The episodes are super short, its low stakes and ive watched the first two seasons as they aired!

This series will be simulcast on Crunchyroll.

    The Fall season is quite a bit leaner for my watch list compared to the Summer season.  Which is fine, I need some space to catch up with my ever growing back log of anime.  Hell, I just noticed Crunchyroll added Minky Momo.

Dungeon People

 Dungeon People (ダンジョンの中のひと) is a 12 episode fantasy series based on the manga of the same name by Futami Sui.  The series originally aired during the Summer of 2024.

    Clay is a young and skilled adventurer having spent most of her childhood being trained as a top class rogue by her father, the legendary adventurer Bran's.  A few years after he was last seen entering their towns local dungeon she has fine tuned her training and is ready to go after him, to find out his fate.  Clay's training has paid off and she easily descends farther than the officially recorded depth by an adventuring party.  While engaging with the boss of the seventh level, the Minotaur suddenly pauses combat after an attack destroyed an interior wall, revealing another space that would be more appropriate on the surface.  Unsure what to do Clay takes the pause in fighting as a chance to reassess the situation and regain some stamina.  To her bewilderment a young girl arrives from a door in the newly revealed room.  The girl talks with the Minotaur in a friendly manner and then directs her attention to the increasingly confused adventurer.  She explains to Clay that she is the manager of the dungeon and she wants to the take the unusual circumstance to explain things to its intruder.

    The girl, Belle, gives Clay a brief tour behind the scenes.  Clay is thoroughly confused and on guard at this point, not understanding whats going on or why.  Belle fully understands the odd situation the other girl finds her self in and does the best she can to ensure her there is nothing weird or dangerous going on, as they pass through the well maintained hallways and antechamber rooms.  Belle is the manager of the dungeon, ensuring the monsters are there for adventurers to face, making sure the chests are filled with loot and keeping the system healthy so that people from the village can continue to explore it.  She wants Clay to join her team, working to ensure the dungeon continues on.  After being defeated in a dual against the unassuming girl, Clay relents and agrees to work as a caretaker.  She see's it as a better way to look for clues to her fathers fate, instead of continuing to risk her own life fighting her way to the bottom floor.  She has doubts that she would have succeeded in the end, given that Belle is the guardian of the dungeons tenth floor and easily defeated the rogue in a friendly dual.  As she shifts her perspective from invader to employee the reality of the machinations of the dungeon reveal themselves to her as part of her on the job training.  Will the dungeons adversary become its champion and will she be able to find out what happened to her father?

    We are in a bit of a fantasy anime renaissance currently, with a series of new and fresh approaches to the traditional sword and sorcery worlds inspired by The Lord of the Rings.  Dungeon People takes a novel but not unique approach to the standard dungeon crawling story by focusing on the dungeon its self and presenting it as an organization whose purpose is to maintain its self as a place for adventuring, instead of a threat to the surface.  Its more like an adventure theme park than anything else.  Belle is a strange girl that has a lot of questions swirling around her, who cares for the continuation and health of her amusement park above all else.  Even though she employs countless beings to help maintain the dungeon, she is lonely and reaches out to Clay as a way to have frequent contact with another human.  Clay, whose entire life has centered around training to conquer the dungeon finds a suddenly very different option in her life.  The story is primarily a workplace 'comedy', with each episode explaining various aspects of the day to day operations and its personnel.  It also serves as a story about the need for connection with others as the two odd girls bond over their situation.

    This was a cute and fun series that had some pretty plain artwork, which goes really well with the story.  Its meant to be cute and a little off putting, distracting you from the grim reality of the world they live in.  At times it dips its toes into the grimness but the artwork keeps it from being as harsh and horrifying as it really is.  But there are two major flaws with the series, two questions that exists from start to finish that never get close to being resolved.  What happened to Clay's father and why was Belle in a position to be the caretaker of the dungeon in the first place?  Both of these were sadly left hanging as the final episode wrapped up, not even hinting at any theories.  Clay is a really fun character though, as she approaches everything with stoic skepticism, constantly analyzing the situation and calmly evaluating the information before her.  While its disappointing that we don't actually have any sort of resolution in the story this was an enjoyable and lovely anime with a lot of low key comedy that built an interesting world for the viewer.  I should probably check out the manga to see what else exists in this world outside of these 12 episodes.  It also makes me want to play Dungeon Keeper.  Why does it feel like her dad may have been the previous manager?

    The series was simulcast on HiDive.

Makeine: Too Many losing Heroines

 Makeine: Too Many losing Heroines! (負けヒロインが多すぎる！) is a 12 episode romantic comedy based on the light novel series of the same name by Amamori Takibi.  The series originally aired during the Summer of 2024.

    Nukumizu Kazuhiko considers himself little more than a background character in the world around him.  He has never really had any friends through out his short life, preferring to be by himself, indulging in reading, especially light novels.  His isolation begins to crumble after attracting the attention of a classmate, Yanami Anna.  He accidentally witnesses a 'break up' between Anna and a childhood friend while at a family restaurant.  Her friend, Sosuke, confides in her that he has feelings for their classmate, Karen.  Anna has never gathered the courage to confess to Sosuke and looses him before she even had a chance to their busty classmate.  As he leaves her alone in the restaurant she notices Nukumizu watching from another table and immediately uses him to vent, joining him.  Unknown to him, Anna orders a few side dishes to help with her depression, leaving him to foot the bill.  At school he confronts he about repaying him for the therapy session.  She agrees to but confides she's going to have to do it by making him lunch.  This forces him to eat lunch with her every day until the 5000 plus yen debt is payed off and the two develop a strange relationship.

    Spending time with one of the more popular girls in class brings other people into his orbit, something hes not exactly comfortable with.  Anna's best friend, Yakishio Lemon, is a peppy member of the track team who lacks a lot of inhibition regarding her body and exposure.  Nukumizu finds himself wrapped up in Lemon's love issues when she finds out her childhood crush is dating another girl who he goes to cram school with.  Forced to be the sounding board of her frustration he does what he can to ease her pain and frustration becoming friends with another popular girl who is too open for her own good.  Before the dust can settle with that bit of drama he is forced to participate in the club he signed up for at the beginning of the year but never bothered to attend, the literature club.  One of the other members and a fellow first year, Komari Chika guilt's him into participating in the club to ensure its continued existence.  Nukumizu's participation ropes both Anna and Lemon into joining the club as well, ensuring its future until the following year.  Chika also struggles with unrequited love and all of the junior members becomes embroiled in it as she confesses to the literature clubs president during a club retreat.  Unfamiliar with love outside of the novels he loves, Nukumizu does what he thinks is best for all of the girls he's suddenly friends with as they continue to suffer heartbreak.  But is basing his advice on fiction really going to help anyone out?

    I'll just say it right from the start.  This is the best anime of the Summer season and is a strong contender for anime of the year in my mind.  Everything about this series is worth every second.  The characters are quirky and unique.  The animation is excellent and carries a sense of life and movement that is rare in anime, even in high end productions.  This was fun from the very beginning and did not fail to deliver through its entire run.  The story effortlessly wove its way across a series rejection arcs, building the characters relationships as it went.  There is little wasted time or dialogue with it.  Even secondary characters take the spot light from time to time and continue to accelerate the story forward.  But what is that end goal you ask?  There really isn't one honestly!  This isn't a series about which girl will Nukumizu pick in the end.  He himself doesn't even consider the idea of dating any of them.  Largely through a combination of his own thoughts on not being a vital part of his own story and believing that none of them would be remotely interested.

    Instead he struggles to offer all of his new found friends some amount of comfort or advice, but typically fails to do a proper job, due to his own inexperience and misconceptions about how people are.  So...don't go in thinking its going to wrap up with him confessing to anyone, Anna being the obvious choice given the patterns school romances typically go with.  No, you just sit back and take in the fun, sometimes emotional plot lines as they unfold, watching as all of the players grow as humans, recognizing their failures and successes.  Did I mention the art is fantastic?  The directing is does a lot of work to make this story as great as it is.  I wouldn't say this is a perfect anime like I said earlier regarding Pseudo Harem but it is absolutely worth your time if you enjoy fun coming of age stories.  I need to re watch this soon....and dive into the light novels.  Also...Nukumizu's younger sister has some serious issues...along with both his homeroom teacher and the school nurse...what the hell!?!?

    The series was simulcast on Crunchyroll.

Senpai is an Otokonoko

 Senpai is an Otokonoko (先輩はおとこのこ) is a 12 episode slice of life romance based on the manga of the same name by Pom.  The series originally aired over the Summer of 2024.

    Aoi Saki has fallen for an upper classman, a beautiful girl named Hanaoka Makoto.  When she gathers up the courage to confess she learns that her senpai is actually a boy who dresses as a girl in school.  Saki falls even more in love with Makoto , entranced by the beautiful boy who looks even more beautiful as a girl.  Makoto's childhood friend, Taiga Ryuji, tries to protect him from the strange younger girl.  Ryuji fears that Saki is only trying to make fun of Makoto.  Saki recognizes that Ryuji harbors deeper feelings for his friend and starts to confront him about them.  Makoto is only able to live the way he wants to in secret from his mother.  He has always been attracted to feminine things but his mother has aggressively tried to force her son to be the way she wants him to be.  His father secretly supports Makoto to be the person he wants to be and helped him get to a school where the faculty at least was accepting of him presenting as a girl.

    Makoto tries and fight his desires when his mother begins to harass him again, only to have his passion restored through Saki's actions.  But she concedes that Makoto will not be able to love her and pushes Ryuji to be more honest with himself about his feelings.  Ryuji himself struggles with the feelings he has had for Makoto since they were young, uncertain if he is really gay or if it is just a deeper love for his best friend.  All three have internal struggles they are trying to fight alone; Makoto with his identity and the resistance from his mother and the world around him.  Ryuji and his conflicted feelings for Makoto.  Saki and her desire to have someone to love and to love her back given her father is absent from her life due to his work and her mother left them when she was little.  Will any of them be able to be honest and open with the other around them who care?

    This show was surprisingly way better than I would have expected.  Just based on the trailers and the first episode, it presented its self as a comedy series, with everything centering around Makoto being a cross dresser and the quirky girl trying to get him to love her.  In reality it is a deep and complex drama about the main characters and their realistic and relatable struggles.  Not just with normal adolescence, but with their very realistic problems with how the world views them and how they view themselves.  There is an amount of comedy which is scattered through out the series in tasteful ways.  All three characters are approachable, relatable and realistic in their portrayal.  Perhaps the most frustrating is Makoto's passive attitude.  Even though he continuously defies the expectations around him he is easily swayed by suggestion.  He does not stand up for himself, relying, if passively, on Ryuji to fight his battles for him.  Ryuji is the most conflicted of the characters, even if he's only open and honest to himself.  Saki's arc is perhaps the most interesting though.

    Saki's background and struggles were an unexpected depth to the story that didn't start to take shape until the second half of the series.  It pushed her from being a generic character who was only there to propel the focus of the story into a different and equally important thread in the tale.  Her arc was not tied to Makoto and Ryuji but their friendship with her tied them to it.  Ryuji himself is the control in this test.  He comes from a loving and supportive family and only struggles with his internal crisis'.  Makoto and Saki struggle with both internal and external issues that allow Ryuji to be a stabilizing force in their dynamics.  I can't speak enough about how lovely and well paced this story was.  The characterization was fantastic and real in a very appreciable way.  Whats better is the story will conclude with a movie set to release in February of 2025.

 

    The series was simulcast on Crunchyroll.

Pseudo Harem

 Pseudo Harem (疑似ハーレム) is a 12 episode comedic romance based on the manga of the same name by Saito Yu.  The series originally aired during the Summer of 2024.

    Nanakura Rin is a first year high school student who dreams of being an actor.  She figured her first step is to join her new schools drama club.  On her way to the club room she runs into a hurried upper class-man.  She asks him if he can help her find the drama club and he tells her that she's in luck.  He introduces himself as Kitahama Eiji, a second year and the president of the drama club.  He laments that he is the sole member and gladly welcomes Rin as a new member and leads her to the room.   He leads her there and opens the door to a room bustling with students.  he sheepishly admits her was lying about being the president and the club struggling for members.  After introducing the potential new member to the real club president she is asked to audition.  Slightly taken aback by the rapid developments and suddenly being put in the spot light she jumps into a monologue, entrancing everyone with her composure and delivery.  The real president eagerly accepts her application and suspects she will be a big draw for the clubs future productions.

    Eiji is a part of the production team for the club, loving the behind the scenes aspect of the stage instead of performing.  He prides himself on his attention to detail and construction prowess.  Rin's audition struck a chord in him and he begins to attend the clubs rehearsals in the gym in order to see her in action more.  As they are taking a break together he bemoans that he will never have a harem.  Rin decides to put her acting chops to the test and begins to craft various alternate personas of her self to toy with her senpai, each representing a common personality type common in dating games.  As they spend more time together, playing their harem game, their mutual feelings begin to blossom as they continue through high school with their future wide open before them.

    I'm pretty sure this anime game me diabetes.  It is sickeningly sweet and innocent and just all around cute and lovable.  The vast majority of the story is little more than Eiji and Rin flirting non stop.  Their flirting is innocent and playful.  At first you're not sure how they really feel about each other but as it continues you begin to understand that they have been interested in the other since they first met and they slowly build a relationship based around pointless banter and one ups-man ship.  the show covers roughly 4 years of their life together as they grow closer with each other, inching towards having the courage to move beyond their friendship and comradery.  The other characters around them barely impact their lives or interactions, the story is almost laser focused on their flirting.  The show lacks all of the hallmark rote story lines and points of friction found in your standard slice of life romance.  There's no awkward, improbable situations, in fact they are sometimes a little too innocent?  There's no love rival or inner monologues about being embarrassed.  Sure there are moments where they aren't willing to go as far with the banter as their heart wants but that is largely due to uncertainty and caution around potentially loosing what they already have.

    I don't know how much I can express how perfect this anime is.  There is no one perfect anime but there can be many perfect anime and this is definitely one of them.  There isn't a bad thing to say about it.  It flows very well, with the passage of time only being casually referenced.  There is essentially no wasted time or distractions with the story.  It delivers what it promises and never strays away from that while also maintaining freshness and originality.  Its a show that gets better with each successive episode, building upon the groundwork laid earlier to deliver a consistently high quality product.  There are only two very minor sticking points for me.  As always I have to pick at the artwork.  The art is simple and the character designs are a little unusual but it grows on you and becomes natural to the characters and their story.  Endearing even as if it wouldn't' be so cute and innocent with a different art style.  The characters are natural in their appearance and body shape.  The clothes are unassuming and realistic, not some crazed over the top design meant for cosplaying.  Beyond the art the only other minor issue I had was with the only conflict that occurred in the story, at the very end, where Rin believes she has to choose between being with Eiji or pursuing an acting career.  I didn't understand why she felt she could only choose one of them and why Eiji was in a similar situation...I mean, she can still choose to be with him and be an actress, regardless of what he ends up doing.  But...its minor and leads to a very nice dramatic resolution to the story as a whole...but I feel like they unnecessarily lost some time together with how they chose to resolve this non-existent conflict.  Either way, its not something strong enough to change my mind that Pseudo Harem is a perfect anime.  it delivers exactly what it needed to and did it in a precise and enjoyable manner.  Now I need to pick up the manga and see if anything was left out and revisit all of the love this story had to offer again.  As a final thought and potentially a bit of a spoiler...for decades at this point the concept of a snowy confession has always been the height of innocent love for me and this scene truly sealed the quality of this story for me.

    The series was simulcast on Crunchyroll.

Love is Indivisible by Twins

 Love is Indivisible by Twins (恋は双子で割り切れない) is a 12 episode romance based on the light novel series of the same name by Takamura Shihon.  The anime originally aired during the Summer of 2024.

    Shirosaki Jun has grown up with the twin sisters who live next door.  Their families are close and spend a lot of time together.  After being close for over a decade their relationship with each other begins to fluctuate near the end of middle school.  Fraternal twins, Rumi and Naori are very different in personalities and aptitude.  Rumi is well liked, athletic and more of a tom boy.  Naori is highly intelligent, a fan of geek culture and dismissive of everyone around her.  In their final year of middle school Rumi confesses to Naori that she has feelings for Jun, the boy they have spent most of their lives with, through thick and thin.  Jun is close to being a sibling with how close the families are.  Naori encourages her sister to tell Jun about her feeling for him, but suggests keeping it a secret if he reciprocates her feelings.  Jun and Rumi spend close to the next year as a couple, hiding it from most everyone, building deeper memories together.

    In high school Rumi decides to break off the relationship, but largely unfathomable reasons.  Rumi understands that Naori also has feelings for Jun and feels that she is the better match for the studious and intelligent boy.  The break up makes Naori furious and Rumi regrets it almost as soon as she suggests it.  But she is determined to stick with her conviction, believing that Naori will never be able to find anyone if it isn't Jun, due to her prickly personality and how many interests they have in common.  Rumi decides to get the ball rolling and all but forces Jun to date her sister instead.  Jun and Naori are resistant at first, uncomfortable with the situation and the recent past between he and Rumi.  Both soon admit that they have liked each other for a long time, longer than Rumi had been a part of the romantic equation on either end.  They decide to do what Rumi is trying to force them into but things aren't as smooth as she had hoped.  Naori is upset with the meddling of her sister, whom she see's as below her.  Jun struggles with the time spent with Rumi and the feelings he built over that period, clashing with his feelings for Naori.  Their lives are forever interlinked and Jun has to decide if he will make one happy and the other miserable...or is there a third option where he isn't involved with either of them romantically, looking elsewhere for his life partner?

    If you ever wanted an anime telenovela...this may be one of the best examples!  This story is dripping with drama backstabbing and plotting.  The sisters are playing a complicated game of cat and mouse between themselves over the boy they both love.  They are also trying to resolve interpersonal issues based around their entire childhood as shadows of each other.  Jun does his best to not ruffle any feathers, but agreeing to date Rumi in the first place made that impossible.  Given how close they all are and they mutual feelings they developed, it was never going to end cleanly.  But...it doesn't actually end in the series.  There is a lot of development and progress to the over all story.  All of the characters get a good amount of time to develop and tell their story to the viewer.  The stakes of the resolution are well understood but we leave episode 12 feelings like all of this was a prologue to the real story.

    This series was significantly better than I anticipated.  Yet again we have a show that defies the simplicity of the surface concept.  This could have been a ridiculous and absurd comedy full of perversion and lust.  Instead we get an over the top drama about conflict between two sisters where the ultimate prize is the love of their life.  Poor Jun...he's really in a bad situation but hes part of the problem as well, being unwilling to shift the balance to either of the girls.  There is a lot of realism and pop culture references through out the show that enhance its view-ability.  Naori and Jun are pop culture fanatics, Naori especially rattles off all manner of real world things in her frequent tirade and monologues.  Not only does she battle against Jun over sci-fi, fantasy and literature critiques, she frequently belittles her fathers obsession with fandom that she considers pedestrian...refusing to let him know how deep her nerdom goes.  Hands down, if I was Jun...the choice would be easy...Naroi.  But, distractions, Rumi is fine I guess...shes not really an interesting character, shes more there as the catalyst for a lot of the drama as it would be rather boring if Naori didn't have legitimate competition for Juns affection.  Either way...this was an enjoyable series that I am pretty sad about ending.  Time to dig into the light novels.

    The series was simulcast on Crunchyroll.

Days with my Stepsister

 Days with my Stepsister (義妹生活) is a 12 episode slice of life drama based on the light novel of the same name by Ghost Mikawa.  The series originally aired during the Summer of 2024.

    Asamura Yuta is a second year high school student who is doing everything he can to become independent.  After his mother passed away when he was younger, he has had to become more self reliant.  His father, loving as he is, does not have enough time to give his only son the attention he needs and provide for his stability and needs.  As he has grown order his father has become more reliant on his son for supporting the house.  Yuta works a part time job and goes to cram school, all as a plan for his post high school life.  His rigorous compartmentalizing of his life becomes shaken up when his father suddenly announces that he is going to remarry.  With the marriage comes another child into the picture, a girl names Ayase Saki who is the same age as Yuta.  Yuta and Saki initially agree live a cohabitation life without interfering with each other as much as possible.  Laying ground rules that require them to not expect the other to do anything out of obligation but out of exchange.  Saki is looking for employment and Yuta offers to help her find a job, in exchange she offers to prepare more meals through out the week.  The most important is that they recognize how they are truly strangers even if they are suddenly family law and proximity.

    Saki as well has had a lonely and internally structured life.  Her mother is less established in life than Yuta's father, predominantly working as a bar tender.  Her mother has doe the best she can to provide for her daughter but there has been a lot of regret for not being able to do more.  Saki, understanding the burden her existence has placed on her loving mother, is determined to be completely independent as quickly as possible.  Due to her looks though she is commonly considered to be an easy girl willing to take risks.  In reality she is introverted and solemn but does not see the point in changing peoples misunderstandings about her.  She is unsure about the new arrangement but is relieved that her mother has found someone who can help carry the burden for her.  Her new step brother is serious and preoccupied with his own corner of reality to not cause her concern.  Instead she begins to see him as someone she can rely on, a concept long foreign for her and one that brings with it an amount of guilt.  As they weeks pass by and she spends more time with Yuta she begins to develop attachments to him that she is unable to determine the source of.  Is she finally relieved to have someone she can rely on who shares a similar approach to their life or is she developing romantic attachments to this boy who seems so distant and formal.

    Step sister romance has been a long running meme in anime and manga, usually leaning heavily into the lewd and taboo aspects of the concept.  Kiss x Sis, Domestic Girlfriend, Citrus, My Stepmoms Daughter is my Ex, etc.  Days with my Stepsister takes a more dramatic approach with there being very little physical contact between the main characters.  There is one moment that usually would have been thrown in for pointless fanservice but was a pivotal moment showcasing the characters incredible vulnerability and uncertainty.  The step siblings begin as strangers, maintain their relationship as strangers, even as they spend more time together, slowly chipping away at their own walls.  This is a slow burning, low impact series filled to the brim with ambiance and loneliness.  I was unfamiliar with the source material but the ton set in the anime feels right for the tone of the story and the characters  I think my only real complaint with the show is how...unnaturally somber the main characters are.  They are way to proper and reserved to be realistic teenagers.  I appreciate they aren't cartoonish horn balls that are prevalent in more ecchi romance stories.  While this is a romance the story is really more of a drama than anything else.  It hyper focuses on Yuta and Saki's growing interactions and relationship and the actual legitimate romantic portions don't start to take effect until the last few episodes.It grows slowly as they question their feelings internally and and fight as hard as they can to reinforce their relationship as siblings above all else.

    I have long championed the incest romance story Koi Kaze.  Aside from the story  being about blood siblings entering into a romantic relationship with each other, there is a....concerning age difference between them as well.  I have always said the story is written in a manner that is respectful of the audience and the subject.  Choosing to be a nail biting drama instead of way to pander ti people with more subversive fetishes.  But some people might have a problem with the story given its pure incest and pedophilia content...not that the male lead who is 10 years older than his high school age sister is a pedo...but he has some problems regardless.  Why I bring that up is that Days with my Stepsister feels like the perfect series to pick up the torch from Koi Kaze and carry it onward.  Pseudo-incest between step siblings is less of a contentious issue in the west than in Japan.  What makes this less icky to approach is that their status of step-sibling is only a few months by then end of the series, so you erase that concern.  As was heavily demonstrated in the quality but unsettling series Bunny Drop...its hard to reconcile characters who may be unrelated, live and develop into complex humans living as if they are related to suddenly develop romantic feelings.  So....if you want a serious and well thought out, realistic drama about step-siblings navigating the idea of becoming more than siblings, this may be one of the best options for you.  Its not a fanservice spectacle.  Its not going to get you put on some sort of governmental watch list and its not going to give you a rote romance that we've all seen time and time again.  This is a fresh and less tread take on the genre and concepts and was very welcome to the fold.

    The series was simulcast on Crunchyroll.